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Asche, Gerhart 1975. “Kunst der leisen Faszination.” Bremer Nachrichten (June 17 or later).

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Aspen Flyer 1966b. [Untitled]. Aspen Flyer [Aspen, Colorado] (June 27).

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B.F. 1984. “Percussioni, bambini, funghi, suoni: Così Cage darà la sveglia a Torino.” Il Giornale (May 6).

B.R.N. 1949. “‘Prepared’ Piano Used in Interesting Event.” Los Angeles Times (February 24).

Bach, Hans Elmar 1972. “Die musikalischen Streiche des John Cage.” Kölnische Rundschau (September 15).

Bach, Hans-Elmar 1977. “Dunkel im Westen – Licht aus dem Osten.” Kölnische Rundschau (December 12).

Bach, Hans Elmar 1978. “Das Wässerchen, das Musik war, ist schnell schal geworden.” Kölnische Rundschau (April 11). On April 7, 1978.

Bach, Hans Elmar 1992a. “Musik als Stille, Zufall und Geräusch.” Kölner Stadt-Anzeiger (August 14), 16; also published Rhein-Sieg-Anzeiger (August 14, 1992), 16.

Bach, Hans Elmar 1992b. “Eine Reise in die Leere.” Kölner Stadt-Anzeiger (September 21), 12; also Rhein-Sieg-Anzeiger (September 21), A 2.

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Bach Bachtischa, Michael 1996a. “Der Bach-Bogen.” Neue Zeitschrift für Musik 157, no. 5 (September-October), 48-50.

Bach Bachtischa, Michael 1996b. “Cage-Interpretation? [excerpt of Cage/Retallack 1996 in German translation].” Positionen no. 26 (February), 30-35.

Bachmann, Claus-Henning 1972a. “Bonn: Erfahrungen im verfremdeten Museum.” Frankfurter Rundschau (May 30); repr. Neue Zeitschrift für Musik 133 (1972), 386-387.

Bachmann, Claus-Henning 1972b. “Hörphysiologische Gewitterstimmung.” National-Zeitung [Basel] (June 7).

Bachmann, Claus-Henning 1972c. “‘Pro musica nova’ in Bremen.” Lübecker Nachrichten (May 18).

Bachmann, Claus-Henning 1972d. “Der Rattenfänger von Bremen.” Badische Neueste Nachrichten [Karlsruhe] (May 25).

Bachmann, Claus-Henning 1972e. “Ein Traumhaus für die Musik.” Neue Zeitschrift für Musik 133 (1972), 384-386.

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Bachmann, Claus-Henning 1982b. “Ausschnitte aus der tönenden Welt.” General-Anzeiger (September 2).

Bachmann, Claus-Henning 1982c. “Mein Gruß an John Cage.” Deutsches Allgemeines Sonntagsblatt (September 5).

Bachmann, Claus-Henning 1982d. “Ost-West-Wege.” Deutsches Allgemeines Sonntagsblatt (May 9).

Bachmann, Claus-Henning 1982e. “Von Träumen, Sternen, Metronomen.” Wiener Zeitung (May 7), 4; repr. Schaffhauser Nachrichten (May 10), 9; repr. Basler Zeitung (May 11); abridged repr. as “Von Träumen und Metronomen.” Esslinger Zeitung (May 8-9); abridged repr. as “Von Träumen, Sternen und Metronomen.” General-Anzeiger (May 11).

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Bachmann, Claus-Henning 1982g. “Wittener Tage für Neue Kammermusik 1982.” Österreichische Musikzeitschrift 37, 341-343.

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Baker, Jason Colby 2004. “The Snare Drum as a Solo Concert Instrument: An In Depth Study of Works by Milton Babbitt, John Cage, Dan Senn, and Stuart Saunders Smith, together with Three Recitals of Selected Works by Keiko Abe, Daniel Levitan, Askell Masson, Karlheinz Stockhausen, and Others.” D.M.A. dissertation, University of North Texas.

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Baker, Kenneth 1990. “Form Jostles Content in Cage’s Lectures.” San Francisco Chronicle (June 10), Review, 14-15. On Cage 1990f.

Baker, Kenneth 1992. “Cartoon Spinoffs Paired with Cage.” San Francisco Chronicle (January 2).

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Baker, Kenneth 1994b. “Rolywholyover!” Town & Country (April).

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Ballade 1984. “A Cage of Hit and Run.” Ballade [Oslo] 8, no. 1 (1984), 1.

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Barber, Llorenç 1978a. “Encuentro/despedida con/a John Cage.” Ozono [Madrid] no. 39.

Barber, Llorenç 1978b. “El tren de John Cage: A la búsqueda del silencio perdido.” Ozono [Madrid] no. 39 (December).

Barber, Llorenç 1979. “John Cage.” Ritmo [Madrid] no. 489 (March).

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Barber, Llorenç 1992. “Cage y postmodernidad española.” Zehar [San Sebastián] no. 14.

Barce, Ramón 1964a. “Estudio sobre John Cage (I).” Aulas [Madrid] no. 20.

Barce, Ramón 1964b. “Estudio sobre John Cage (II).” Aulas [Madrid] no. 22.

Barce, Ramón 1965. “Un nuevo tipo de teatro musical.” ABC (February 16).

Bargreen, Melinda 1977a. “Chance, Change and Cage.” Seattle Times (September 4).

Bargreen, Melinda 1977b. “‘Dialogue’ Surprising Event.” Seattle Times (September 7).

Bargreen, Melinda 1977c. “Tapes, Water Buckets and Radios in Concert.” Seattle Times (September 9).

Bargreen, Melinda 1983a. “Cage Events Will Focus on Earlier Works.” Seattle Times (December 9).

Bargreen, Melinda 1983b. “Cage Pushes Musical Frontier Too Far.” Seattle Times (December 12).

Baril, Jacques 1977. La danse moderne: D’Isadora Duncan à Twyla Tharp. Paris: Vigot (Collection Sport + Enseignement; 6); repr. 1984.

Barkema, Peter and Michelle Blaauw 1978. “Sounday: Hoe spannend is het maken van akoesties behang?” ASKO-Krant [Amsterdam] no. 16-17 (August-September), 5-7.

Barker, David 1989. “Untitled: Art, Music, and Nothing.” Exploratorium Quarterly 13, no. 4 (Winter), 24-29.

Barkin, Elaine 1986. “John Cage: String Quartet in Four Parts (1950).” News of Music [Annandale-on-Hudson] no. 8 (1986); rev. repr. included in Barkin 1993, 131; repr. in Elaine Barkin, E: An Anthology: Music, Texts & Graphics (1975-1995). Red Hook, New York: Open Space, 1997, 105.

Barkin, Elaine 1993. “The Cage Case: Existential Joker.” Perspectives of New Music 31, no. 2 (Summer), 128-131.

Barlow, Jon 1993. “Three Exercises for John Cage.” Wesleyan [Middletown, Connecticut] 75, no. 3 (Winter), 9.

Barlow, Samuel L.M. 1945. “On and Off Broadway.” Modern Music 22, no. 3 (March-April), 206-208.

Barna, John 1995. “Change Comes Daily with New Cage Exhibit.” Today’s Sunbeam [Salem, New Jersey] (June 4); repr. as “Taking a Chance.” Gloucester County Times [Woodbury, New Jersey] (June 9).

Barnes, Clive 1964a. “It’s Foolish and It’s Fun.” Daily Express (August 6).

Barnes, Clive 1964b. “U.S. Dance Group Stirs Londoners.” New York Times (August 13).

Barnes, Clive 1964c. “U.S. Dancers Win Hearts in London.” New York Times (August 3).

Barnes, Clive 1966a. “Cunningham’s Troupe Appears in Brooklyn.” New York Times (April 25).

Barnes, Clive 1966b. “Dance: Trouble with Going Abroad.” New York Times (May 21), 24.

Barnes, Clive 1966c. “Happening: Ineffable Night at Armory.” New York Times (October 17), 48.

Barnes, Clive 1966d. “West Leaps Language Barrier to Meet East.” New York Times (April 30).

Barnes, Clive 1972. “Dance: New Cunningham.” New York Times (February 3), 25.

Barnes, Clive 1975. “Dance: Merce Cunningham’s Events.” New York Times (December 3).

Barnes, Clive 1977. “Dance: Cunningham on Broadway,” in other edition “Cunningham Dancers.” New York Times (January 19).

Barnes, Clive 1982a. “Cunningham: Wall-to-Wall Images.” New York Post (March 17), 55.

Barnes, Clive 1982b. “Cunningham Shows No Merce-y.” New York Post (March 19), 70.

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Barras, Vincent 1990. “Réussite dans l’Oberland: John Cage à Wetzikon et sur disque.” Dissonanz = Dissonance no. 25 (August), 24-26.

Barreiro Ortiz, Carlos 19??. “John Cage: El hombre en la jaula.” El Tiempo (no date given), Lecturas Dominicales, 13.

Barrett, Richard 1989. “Soundcheck.” Wire Magazine no. 11, 50-51. On Edition Michael Frauenlob Bauer MFB 003-004; Edition Michael Frauenlob Bauer MFB 014-015 (recordings).

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Barthes, Roland/Bianciotti, Hector 1973. “Les Fantômes de l’Opéra.” Le Nouvel Observateur no. 475 (December 17-23), 51+; repr. in Roland Barthes, Le grain de la voix: Entretiens, 1962-1980. Paris: Seuil, 1982; English as “The Phantoms of the Opera.” In Roland Barthes, The Grain of the Voice: Interviews 1962-1980. Trans. Linda Coverdale. New York: Hill and Wang, 1985, 183-187; London: Jonathan Cape, 1985; repr. Berkeley, California: University of California Press, 1991.

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Bärtschi, Werner/Häusermann, Thomas and Petra Ronner 1990. “Gespräch mit werner Bärtschi.” In Ronner and Häusermann 1990, 5-7, 13, 24-27.

Bärtschi, Werner and Thomas Schibler 1969. “Realisation eines Werkes von John Cage am Beispiel von Variations I.” As part of “Realisationen.” In Bärtschi et al. 1969, R 4-R 5.

Bärtschi, Werner et al. [Andreas Bliggenstorfer, Daniel Fueter, Klaus Gäumann, Thomas Häusermann, Thomas Schibler, François Thurneysen, Philippe Welti] 1969, ed. Die unvermeidliche Musik des John Cage. Zürich: Organisation der Musikstudierenden Zürich.

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Baruch, Gerth-Wolfgang 1991. “Trickreicher Onkel aus Amerika.” Stuttgarter Zeitung (December 2), 12.

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Bastian, René 1979. “Habeamus Cage.” In Zeller 1979a, 8-9.

Bastian, René 1981. “Voyage musical en Lorraine.” Alsacien (December 1). On November 17-22, 1981.

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Battcock, Gregory, René Berger, and Dany Bloch 1979. “L’art de la performance = The Art of Performance = El arte de la performance.” T & C: Théorie et Critique = Theory and Criticism = Teoría y Critica [Buenos Aires] 2 (December), 13-79.

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Baucke, Ludolf 1972b. “‘Pro musica nova’ mit John Cage.” Musica [Kassel] 26, 356-357.

Baucke, Ludolf 1972c. “Schattenwürfe in den Gehörgängen.” Stuttgarter Zeitung (December 28), 26.

Baucke, Ludolf 1974. “Cage und Schnebel in der Schule.” Hifi-Stereophonie 13, 868+.

Baucke, Ludolf 1982a. “Atem, Alltag und Apfelpfannkuchen.” Hannoversche Allgemeine Zeitung (April 29).

Baucke, Ludolf 1982b. “Wenn die Stille Blasen wirft.” Hannoversche Allgemeine Zeitung (September 4).

Baucke, Ludolf 1982c. “Wildes Hören und Zufallsklänge.” Hannoversche Allgemeine Zeitung (May 17). On May 1-10, 1982.

Baucke, Ludolf 1983. “Bilder, Klänge und Texte.” Hannoversche Allgemeine Zeitung (May 24).

Baucke, Ludolf 1984. “Durchs Klavier zur inneren Ruhe.” Hannoversche Allgemeine Zeitung (ca. February 20), 23. On Etcetera ETC 2001 (recordings).

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Bauer, Johannes 1999. “Cage und die Tradition.” In Mahnkopf 1999b, 75-125.

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