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Seattle Garfield Messenger 1939b. “Cornish to Give Dance Concert Friday Night.” Seattle Garfield Messenger (March 24).

 

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Seattle Post-Intelligencer 1939a. “Cage to Direct Concert May 19.” Seattle Post-Intelligencer (May 14).

 

Seattle Post-Intelligencer 1939b. “Classes Open for Summer at Cornish.” Seattle Post-Intelligencer (June 18).

 

Seattle Post-Intelligencer 1939c. “Concert Preview.” Seattle Post-Intelligencer (March 23).

 

Seattle Post-Intelligencer 1939d. “Cornish to Open Vacation School.” Seattle Post-Intelligencer (June 16).

 

Seattle Post-Intelligencer 1939e. “Round About.” Seattle Post-Intelligencer (January 30).

 

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Seattle Times 1939b. “Something New But Not New.” Seattle Times (December 1).

 

Seattle Times 1939c. [Untitled]. Seattle Times (February 8).

 

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Seattle Times 1977. “Dance Company to Be Supported.” Seattle Times (June 23).

 

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Shenk, Mary Nic 1970b. “Running, Racing, Rolling – It Was Dancing.” St. Petersburg Times [Saint Petersburg, Florida] (March 16), 4-D.

 

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Shere, Charles 1978. “Brilliant Recording of Cage [review of Tomato TOM-2-1001 (recording)].” Oakland Tribune (date unknown).

 

Shere, Charles 1982a. “Cabrillo Concerts Offer Poignancy on Tragic Day.” Oakland Tribune (August 24).

 

Shere, Charles 1982b. “John Cage Art – Music Visualized.” Oakland Tribune (April 23).

 

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Shōno, Susumu 1983. “Oto to ongaku: Ongaku no sonritsu kōzō ron e no nōto.” Gendai Shi Techō [Tōkyō] 27, no. 9 (September).

 

Shōno, Susumu 1985a. “Artworks, Aesthetic Processes and Situations in Music.” In McCormick 1985, 51-55.

 

Shōno, Susumu 1985b. “Chitsujo - muchitsujo - hanchitsujo: Waku to dekigoto.” Gendai Shi Techō [Tōkyō] 28, no. 5 (April), 70-78.

 

Shōno, Susumu 1985c. “Kiku koto to shite no ongaku: Keiji ni yoru Adoruno hihan.” Gendai Shisō 13, no. 5 (May), 128-139; French as “Adorno selon Cage, Cage selon Adorno.” Trans. Akiko Koana. In Charles 1987-1988, 441-448.

 

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Shulgold, Marc 1987b. “‘Sound’ ala John Cage.” Los Angeles Times (September 9), IV, 2.

 

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Shultis, Christopher 1998c. Silencing the Sounded Self: John Cage and the Experimental Tradition in Twentieth-Century American Poetry and Music. Boston: Northeastern University Press (reviews: Axelrod 1999; Bernstein, D.W. 2000; Emmerik, P. van 2000; Nicholls 1999b).

 

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Shultis, Christopher 2002b. “No Ear for Music: Timbre in the Early Percussion Music of John Cage.” In Patterson, D.W. 2002b, 83-104.

 

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