Present location unknown, collection Ev Grimes. Fifteen Domestic Minutes (fair copy, extent unknown).

Present location unknown, private collection. 0'00" (draft, 1 leaf, 21 x 13 cm, unmarked white file card, pencil).

Present location unknown [formerly collection of John Cage]. Seven (worksheets [parts for flute, piano, and percussion], 2 leaves, 32 x 24 cm, 10-stave plain vellum music paper, Independent Music Publishers Maestro No. 116, ink).

Present location unknown [formerly collection of John Cage]. Seven (draft, 15 leaves, 28 x 23 cm, unmarked white paper, red ballpoint ink, red pencil).

Amsterdam, Stedelijk Museum, Afdeling Prenten, Tekeningen, Foto’s. Music for The Marrying Maiden (fair copy, 6 leaves, 22 x 28 cm, unmarked vellum paper, black ink, all leaves recti only, page numbers cut out).

Barcelona, estate of Joan Miró. [Untitled, circa 1970] (fair copy).

Basle, Paul Sacher Stiftung [Untitled, 1969 or earlier] (nature and extent of manuscript unknown).

Bensberg, collection Klaus Schöning. _, _ _ Circus on _ (realization, worksheets, extent unknown).

Bensberg, collection Klaus Schöning. HMCIEX [text] (draft, incomplete).

Berlin, collection Gelbe Musik. Concert for Piano and Orchestra.

Berlin, collection Gelbe Musik. Etudes Australes (Etude VI, sketch [1 leaf] and draft [2 leaves], 3 leaves, 1 leaf 36 x 28 cm, vellum paper, 2 leaves, 32 x 25 cm, vellum music paper, pencil, colored pencil).

Berlin, collection Gelbe Musik. She Is Asleep (worksheet [calculations], 1 leaf, 28 x 22 cm, white paper, pencil).

Berlin, collection Heinz-Klaus Metzger and Rainer Riehn. The Beginning of a Connection between Satie and Thoreau [text] (manuscript or typescript).

Berlin, collection Heinz-Klaus Metzger and Rainer Riehn. Europeras 1 & 2 (flats for original version for the Oper Frankfurt; design for poster).

Berlin, collection Heinz-Klaus Metzger and Rainer Riehn. Fontana Mix (sketches).

Berlin, collection Heinz-Klaus Metzger and Rainer Riehn. Freeman Etudes (galley proof [concerning Etudes 25-32], 1 leaf).

Berlin, collection Heinz-Klaus Metzger and Rainer Riehn. Song Books (realization, autograph).

Berlin, collection Heinz-Klaus Metzger and Rainer Riehn. Variations III.

Berlin, private collection. Concert for Piano and Orchestra (solo for tubas in F and B flat, draft, 1 leaf, 28 x 22 cm, white paper [attached to leaf, 30 x 23 cm], pencil).

Beverly Hills, California, estate of Betty Freeman. Fontana Mix (fair copy, 24 leaves, ink).

Beverly Hills, California, estate of Betty Freeman. Renga (score, fair copy, 14 leaves, 31 cm, ink).

Beverly Hills, California, estate of Betty Freeman. Winter Music (fair copy, 21 leaves, ink).

Bochum, Galerie Inge Baecker. Etudes Australes (draft, incomplete, 7 leaves, 36 x 28 cm, paper, colored pencil, pencil).

Bochum, Galerie Inge Baecker. Water Music (draft, 4 leaves, 28 x 43 cm, paper, pencil).

Budapest, collection András Wilheim. 33 1/3 (draft, 1 leaf).

Budapest, collection András Wilheim. Dialogue (draft, allograph [typescript by András Wilheim] with autograph emendations, 1 leaf).

Buffalo, New York, estate of Yvar Mikhashoff. Concerto for Prepared Piano and Chamber Orchestra (original preparation materials).

Cambridge, Massachusetts, Harvard University Library. Adolph Weiss: Reminiscenses [text] (draft, 5 leaves, typescript).

Chicago, Illinois, Museum of Contemporary Art. A Dip in the Lake (map, fair copy, 1 leaf, 136 x 106 cm, colored felt-tip pen marks).

Chicago, Illinois, Newberry Library, estate of Janet Fairbank. The Wonderful Widow of Eighteen Springs (autograph performance copy).

Detroit, Michigan, collection Gilbert Silverman and Lila Silverman. A Valentine out of Season (fair copy, 9 leaves, 14 x 17 cm, ink).

Dordrecht, collection Frank Scheffer. Chessfilmnoise [art] (manuscript).

Durham, North Carolina, collection Dr. Irwin Kremen. 4'33" (revised version in proportional notation, fair copy, 6 leaves, 43 x 28 cm, folded as 12 pages, 28 x 22 cm, vellum paper, watermark Independent Music Publishers The Maestro Method, ink).

Düsseldorf, estate of Joseph Beuys. [Untitled] (1953, unfinished composition for voice) (sketches, l leaf, folded to 43 x 28 cm, pencil).

Evanston, Illinois, Northwestern University Music Library. Crete (fair copy, 2 leaves, 12 x 14 cm, white paper, mounted on fol. 36 recto and verso of scrapbook, “John Cage Composer Vol. 1,” pencil).

Evanston, Illinois, Northwestern University Music Library. Dad (fair copy, 2 leaves, 12 x 14 cm, white paper, mounted on fol. 36 verso and recto of scrapbook, “John Cage Composer Vol. 1,” pencil).

Evanston, Illinois, Northwestern University Music Library. Concert for Piano and Orchestra (solo for piano, fair copy, 66 leaves, 28 x 44 cm [overall], vellum paper, ink, pencil, colored pencil).

Evanston, Illinois, Northwestern University Music Library, drawer marked ‘Correspondence, etc. (w/ autograph additions pre-1976)’. Etudes Australes (corrected galley proof [Etude 29], 1 leaf, 21 x 13 cm, yellow ruled paper, black ink, red pencil).

Evanston, Illinois, Northwestern University Music Library, file folder marked ‘1953’. Music for Magnetic Tape: History [text] (2 leaves, 28 x 22 cm, white paper, watermark Esquire Bond, typescript, emendations in pencil).

Evanston, Illinois, Nortwestern University, Music Library. Thirty Pieces for Five Orchestras.

Evanston, Illinois, Northwestern University, Music Library. Music of Changes (fair copy, incomplete [lacking title page of part II and pages 5, 12, 13], 86 leaves, 32 x 24 cm, vellum paper, ink, pencil).

Evanston, Illinois, Northwestern University, Music Library, Room 209, file cabinet [2], drawer [1], marked “MSS Music.” A House full of Music (sketches, autograph and allograph, notebook, 30 x 21 cm, staple-bound, green covers, Dreipfeil Liniert, Best.-Nr. 83411, 5 pages on 40 leaves, white ruled paper, blue felt-tip ink). A House full of Music (worksheet, 1 leaf, 28 x 43 cm [verso of music paper for Dance/4 Orchestras], blue ink, pencil). A House full of Music (draft, 10 leaves, 20 x 13 cm, rounded edges, white ruled paper [torn edges], blue ink, black felt-tip ink, pencil). A House full of Music (draft, autograph and allograph, 9 leaves, 21 x 30 cm, unmarked white paper, typescript [allograph] with autograph annotations in blue ink, pencil).

Evanston, Illinois, Northwestern University, Music Library, Room 209, file cabinets, drawer 1985-1986. Thirty Pieces for Five Orchestras (composer’s copy, 150 leaves, 30 x 42 cm, photocopy, corrections in colored felt tip, colored pencil, pencil, allograph [András Wilheim’s hand].

Kyjov, Hodonín District, Czech Republic, collection Miloslav C’erný [Untitled] [contribution to Miloslav C’erný, Wisdom Is Passing, Stupidity Is Eternal] (2 leaves).

Los Angeles, California, Getty Center, David Tudor collection.

Los Angeles, California, Getty Center, 940073 box 3 folder 6. Concert for Piano and Orchestra (autograph and allograph***: 1 leaf [letter by Cage, January 29, 1958]; 2 leaves [Part for Conductor, photocopy with annotations in pencil by David Tudor]; 10 leaves [various sizes, worksheets for a realization by David Tudor]; 6 pages, typescript; 45 leaves, transparent paper; 46 leaves, transparent paper; 14 leaves); Cartridge Music (realization by David Tudor [allograph], worksheets, 11 leaves, various sizes).

Los Angeles, California, Getty Center, 940073 box 3 folder 7. Concert for Piano and Orchestra (allograph***, 39 leaves; 52 leaves; 14 leaves; 10 leaves).

Los Angeles, California, Getty Center, 940073 box 4 folder 1. Concert for Piano and Orchestra (realization by David Tudor, allograph, 37 leaves).

Los Angeles, California, Getty Center, 940073 box 4 folder 2. Concert for Piano and Orchestra (realization by David Tudor, allograph, envelope and 43 leaves; 39 leaves).

Los Angeles, California, Getty Center, 940073 box 4 folder 3. Concert for Piano and Orchestra (realization by David Tudor; 16 leaves; 48 leaves). Fontana Mix (22 leaves, brown-tinted acetates folded in brown paper [1 leaf], ink, signed in pencil).

Los Angeles, California, Getty Center, 940073 box 4 folder 4. 4'33" (reconstructions of original notation by David Tudor, 10 [8 plus 2] leaves, allograph, ink).

Los Angeles, California, Getty Center, 940073 box 4 folder 4. Haiku (fair copy, 4 leaves, pencil). Music for Amplified Toy Pianos (realization by David Tudor, allograph [Tudor’s hand]). Music for Carillon No. 1 (copy of printed score [two-octave transcription] without annotations).

Los Angeles, California, Getty Center, 940073 box 4 folder 5. Music for Piano 1. Music for Piano 2. Music for Piano 3. Music for Piano 4-19. Music for Piano 20 (rejected instructions for performance, draft, 1 leaf). Music for Piano 21-36/37-52 (realization of Nos. 21-36 by David Tudor, allograph).

Los Angeles, California, Getty Center, 940073 box 5 folder 1-2. Music of Changes (composer’s copy, autograph and allograph [David Tudor’s hand], 44 leaves in 4 volumes, spiral-bound in covers, pencil, colored [blue] pencil).

Los Angeles, California, Getty Center, 940073 box 5 folder 3. Music of Changes (worksheets [charts], 41 leaves in 1 notebook [incomplete, lacking leaf 27], 32 x 24 cm, Presser’s Library Manuscript Book No. 912, black, hardbound, 12-stave music paper with front and rear flyleaves, pencil; corresponding to Pritchett 1988a, 314, DT/12).

Los Angeles, California, Getty Center, 940073 box 5 folder 4. Music of Changes (worksheets [charts], 2 leaves, 28 cm, vellum music paper, pencil; corresponding to Pritchett 1988a, 314, DT/13-14.).

Los Angeles, California, Getty Center, 940073 box 5 folder 5. Music Walk (realization by David Tudor, allograph [Tudor’s hand]).

Los Angeles, California, Getty Center, 940073 box 5 folder 6. Seven Haiku (realization by David Tudor, allograph [Tudor’s hand]). Solo for Voice 1 (composer’s copy, allograph, 1 leaf folded into double leaf, annotations in Cathy Berberian’s hand). Telephones and Birds (realization by David Tudor, Tudor’s hand).

Los Angeles, California, Getty Center, 940073 box 5 folder 7. Theatre Piece (instructions for performance, composer’s copy, 1 leaf; realizations by David Tudor, worksheets and draft, typescript and pencil, allograph [David Tudor’s hand], 159 leaves, various types and sizes).

Los Angeles, California, Getty Center, 940073 box 6 folder 1. 34'46.776" for a Pianist (composer’s copy, 29 leaves).

Los Angeles, California, Getty Center, 940073 box 6 folder 2. 34'46.776" for a Pianist (composer’s copy, allograph annotations [David Tudor’s hand]).

Los Angeles, California, Getty Center, 940073 box 6 folder 3. 34'46.776" for a Pianist (notes [on the construction of Steinway pianos], worksheet [ruler], sketch [preliminary chart of piano preparations, 56 x 43 cm, blue quadrille white graph paper, pencil; corresponding to Pritchett 1988a, 315, DT/23], and draft [of piano preparations], 4 leaves, and worksheets [David Tudor’s hand], 31 leaves).

Los Angeles, California, Getty Center, 940073 box 6 folder 4. 31'57.9864" for a Pianist (composer’s copy, 23 leaves in spiral-bound book).

Los Angeles, California, Getty Center, 940073 box 6 folder 5. 31'57.9864" for a Pianist (worksheets, 2 leaves, 1 leaf 56 x 32 cm, orange graph paper, Cross Section 10x10, pencil; one leaf corresponding to Pritchett 1988a, 315, DT/27).

Los Angeles, California, Getty Center, 940073 box 6 folder 6. Two Pastorales (copy of score annotated by David Tudor and worksheets, allograph [David Tudor’s hand], 2 leaves folded into 8 pages). Variations I (instructions for performance, fair copy, 1 leaf, onion skin paper, typescript).

Los Angeles, California, Getty Center, 940073 box 6 folder 7. Variations II (realization by David Tudor, copy of score and worksheets, allograph [David Tudor’s hand], 13 leaves). Variations III (realization by David Tudor, worksheets, 3 leaves; draft, 1 leaf).

Los Angeles, California, Getty Center, 940073 box 6 folder 8. Water Music (program note by Cage copied by David Tudor and realization, worksheet, allograph [David Tudor’s hand], 1 leaf). WBAI (draft, 63 [54 + 9] leaves; realization, autograph and allograph, 27 leaves, pencil).

Los Angeles, California, Getty Center, 940073 box 6 folder 9. Winter Music (realization by David Tudor, allograph, 19 leaves).

Los Angeles, California, Getty Center, 940073 box 7 folder 1. Winter Music (realization by David Tudor, allograph, 72 leaves and 2 notebooks).

Los Angeles, California, Getty Center, 940073 box 7 folder 2. To Describe the Process of Composition Used in Music of Changes and Imaginary Landscape No. 4 (draft, allograph [possibly David Tudor’s hand] and autograph, 5 leaves, [carbon copy of] typescript, with annotations in Cage’s hand, ink); To Describe the Process of Composition in Music for Piano 21-52 (draft, 2 leaves, typescript); Changes (cue sheets for use in performance, 9 leaves, typescript); Indeterminacy (lists of timings for three 20-minute lectures, autograph and allograph [David Tudor’s hand], 5 leaves, green steno paper, black ink, pencil).

Los Angeles, California, Getty Center, 940073 box 7 folder 3. Proposal to Establish a Center for Experimental Music (draft, 4 leaves, typescript).

Los Angeles, California, Getty Center, 940073 box 7 folder 4. Unfinished (allograph); [Untitled] (exercises in counterpoint, 1935-1937, 10 pages).

Los Angeles, California, Getty Center, 940073* box 2 folder 2. Concerto for Prepared Piano and Chamber Orchestra (worksheets, sketches, and draft, 14 leaves).

Los Angeles, California, Getty Center, 940073* box 2 folder 4. Concerto for Prepared Piano and Chamber Orchestra (fair copy [differing from edition], 52 leaves, pencil).

Los Angeles, California, Getty Center, 940073* box 3 folder 1. Concerto for Prepared Piano and Chamber Orchestra (composer’s copy with allograph annotations [David Tudor’s hand]).

Los Angeles, California, Getty Center, 940073* box 3 folder 2. Concerto for Prepared Piano and Chamber Orchestra.

Los Angeles, California, Getty Center, 940073* box 3 folder 3. For Paul Taylor and Anita Dencks (pre-publication blueprint).

Los Angeles, California, Getty Center, 940073* box 3 folder 4. HPSCHD (solo 1, [two] composer’s copies, 120 pages [60 pages each], first with autograph and allograph annotations [Cage’s and David Tudor’s hand], second with autograph annotations).

Los Angeles, California, Getty Center, 940073* box 3 folder 5. Music for Carillon No. 2. Music for Carillon No. 3 (draft, 1 leaf, grey cardboard poster, ink, pencil, holes pinched with pin).

Los Angeles, California, Getty Center, 940073** box 1, folder 2. [Untitled, 1953?, unfinished] (worksheets and draft, 8 leaves, 56 x 44 cm, white graph paper, pencil; corresponding to Pritchett 1988a, 314, DT/15, DT/16, DT17-22).

Los Angeles, California, Getty Center, 940073** rolls 1-3. 34'46.776" for a Pianist (draft, incomplete [part 2, 4 and 6 of 6, 353"-747", 1117"-1513", 1918"-2086.776"], 3 rolls, 1 roll 56 x 2007 cm, 1 roll 56 x 2032 cm, 1 roll 56 cm x 864 cm, orange graph paper, Cross Section 10x10, pencil; corresponding to Pritchett 1988a, 315, DT/24-26).

Los Angeles, California, Getty Center, 940073** rolls 4-6. 31'57.9864" for a Pianist (draft, 3 rolls [0"-450", 450"-1299", 1299"-1917.9864"], 1 roll 56 cm x 1143 cm, 1 roll 56 cm x 1829 cm, 1 roll 56 cm x 1448 cm, orange graph paper, Cross Section 10x10, pencil; corresponding to Pritchett 1988a, 315, DT/28-30).

Los Angeles, California, Getty Center, 960036 [Mary Caroline Richards Papers], box 40 folder 10. Indeterminacy: New Aspect of Form in Instrumental and Electronic Music (stories 90-115, 116-130, circa 45 pages in 2 notebooks, pencil with corrections).

Los Angeles, California, private collection. Winter Music.

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 1 folder 1. 45' for a Speaker (final draft [headnote], 3 leaves, typescript with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 1 folder 2. 45' for a Speaker (final draft, 45 leaves, typescript with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 1 folder 3. 45' for a Speaker (first draft, notebook).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 1 folder 4. 45' for a Speaker (headnote?, Italian translation, 3 leaves, typescript).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 1 folder 5. 45' for a Speaker (draft of letter in Italian, 3 leaves, typescript with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 1 folder 6. [Untitled] (text, prior to April 1960) (final draft, 1 leaf, annotated typescript).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 1 folder 7. Communication (notes, 47 leaves [versos of Cage concert posters], manuscript).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 1 folder 9. Anarchy (models [source texts] and worksheets, 5 leaves, typescript).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 1 folder 10. Anarchy (introduction, 13 leaves, typescript with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 1 folder 11-14. Anarchy (mesostics, 4 folders, typescript with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 1 folder 15. Art and Technology (final draft, 2 leaves, typescript with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 1 folder 16. [Untitled, 1964] (final draft, 1 leaf, typescript with manuscript annotations).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 1 folder 17. Diary: Audience 1966 (notes, steno pad).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 1 folder 18. Diary: Audience 1966 (draft, 4 leaves, typescript with manuscript annotations).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 1 folder 19. Diary: Audience 1966 (final draft, 2 leaves, typescript with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 2 folder 2. [Untitled, 1962, on Cartridge Music] (final draft, 3 leaves, typescript with manuscript annotations).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 2 folder 3 (notes [after 1973], steno notebook).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 2 folder 4. Lecture on Commitment (28 index cards, typescript with manuscript annotations).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 2 folder 5. Lecture on Commitment (realization, draft [including headnote], 5 leaves, typescript with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 2 folder 6. Lecture on Commitment (instructions to printer, 1 leaf, manuscript).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 2 folder 7. A Composer’s Confessions (draft, 31 leaves, typescript with corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 2 folder 10. Communication (final draft [including headnote], autograph and allograph [printer’s corrections], 13 leaves, typescript).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 2 folder 11. Communication (original draft, 6 leaves, typescript).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 2 folder 12. Communication (sketch for page layout, 1 leaf).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 2 folder 13. Indeterminacy (final draft [including headnote], 23 leaves, corrected photocopy).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 2 folder 14. Indeterminacy (draft, 12 leaves, corrected photocopy).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 2 folder 15. Changes (final draft, 22 leaves, typescript with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 2 folder 20. Grace and Clarity (author’s copy [including headnote], two copies of Dance Observer [November 1944]).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 2 folder 21. In This Day… (draft [including headnote], 10 leaves).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 2 folder 22. In This Day… (clipping [author’s copy], Dance Observer [January 1957], 1 leaf).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 2 folder 23. 2 Pages, 122 Words on Music and Dance (author’s copy [including headnote], Dance Magazine [November 1957]).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 2 folder 24. Defense of Satie (11 leaves, typescript with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 2 folder 25. To Describe the Process of Composition Used in Music for Piano 21-52 (final draft [including headnote], 5 leaves, typescript with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 2 folder 26. To Describe the Process of Composition Used in Music for Piano 21-52 (author’s copy, Die Reihe [Bryn Mawr, Pennsylvania] no. 3 [1959], annotated).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 2 folder 27. Diary: How to Improve the World (You Will Only Make Matters Worse) (draft, 7 leaves, manuscript).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 2 folder 28. Diary: How to Improve the World (You Will Only Make Matters Worse) (draft, 1 leaf, manuscript).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 2 folder 29. Diary: How to Improve the World (You Will Only Make Matters Worse) (draft, 1 leaf, manuscript).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 2 folder 30. Diary: How to Improve the World (You Will Only Make Matters Worse) (draft, 19 leaves, manuscript).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 2 folder 31. Diary: How to Improve the World (You Will Only Make Matters Worse) (draft, 1 leaf, manuscript).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 2 folder 32. Diary: How to Improve the World (You Will Only Make Matters Worse) (draft, 1 leaf, manuscript).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 2 folder 33. Diary: How to Improve the World (You Will Only Make Matters Worse) (draft, 1 leaf, manuscript).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 2 folder 34. Diary: How to Improve the World (You Will Only Make Matters Worse) (draft, 7 leaves [verso of dry cleaning lists], manuscript).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 2 folder 35. Diary: How to Improve the World (You Will Only Make Matters Worse) (third installment, final draft [including headnote and coversheet], 18 leaves, typescript with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 2 folder 36. Diary: How to Improve the World (You Will Only Make Matters Worse) (third installment, galley proofs [Something Else Press edition], 9 leaves).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 2 folder 37. Diary: How to Improve the World (You Will Only Make Matters Worse) (draft, 5 leaves, manuscript).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 2 folder 38. Diary: How to Improve the World (You Will Only Make Matters Worse) (draft, 3 leaves, manuscript).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 2 folder 39. Diary: How to Improve the World (You Will Only Make Matters Worse) (draft, 1 leaf, manuscript).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 2 folder 40. Diary: How to Improve the World (You Will Only Make Matters Worse) (notes, 3 leaves, manuscript).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 2 folder 41. Diary: How to Improve the World (You Will Only Make Matters Worse) (draft, 1 leaf, manuscript).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 2 folder 42. Diary: How to Improve the World (You Will Only Make Matters Worse) (draft, 1 leaf, manuscript).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 2 folder 43. Diary: How to Improve the World (You Will Only Make Matters Worse) (first installment [first page only], final draft, 1 leaf, typescript with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 2 folder 44. Diary: How to Improve the World (You Will Only Make Matters Worse) (letter, Jose de la Torre Bueno to John Cage, August 25, 1966, 1 leaf, typescript, signed; notes by Cage on verso).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 2 folder 45. Diary: How to Improve the World (You Will Only Make Matters Worse) (notes, 1 leaf [verso of envelope], manuscript).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 2 folder 46. Diary: How to Improve the World (You Will Only Make Matters Worse) (third installment, outline, 2 leaves, manuscript).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 2 folder 47. Diary: How to Improve the World (You Will Only Make Matters Worse) (draft, steno pad diary).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 3 folder 1. Diary: How to Improve the World (You Will Only Make Matters Worse) (second installment, draft, steno pad).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 3 folder 2. Diary: How to Improve the World (You Will Only Make Matters Worse) (third installment, draft, steno pad).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 3 folder 3. Diary: How to Improve the World (You Will Only Make Matters Worse) (draft, steno pad).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 3 folder 4. Diary: How to Improve the World (You Will Only Make Matters Worse) (draft, steno pad).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 3 folder 5. Diary: How to Improve the World (You Will Only Make Matters Worse) (draft, steno pad).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 3 folder 6. Diary: How to Improve the World (You Will Only Make Matters Worse) (second and third installments, draft, steno pad).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 3 folder 7. Diary: How to Improve the World (You Will Only Make Matters Worse) (third installments, steno pad).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 3 folder 8. Diary: How to Improve the World (You Will Only Make Matters Worse) (first installment, steno pad).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 3 folder 9. Diary: How to Improve the World (You Will Only Make Matters Worse) (first installment, 1 leaf, photocopy of annotated typescript).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 3 folder 10. Diary: How to Improve the World (You Will Only Make Matters Worse) (second installment, headnote, 1 leaf, typescript).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 3 folder 11. Diary: How to Improve the World (You Will Only Make Matters Worse) (third installment, headnote, 1 leaf, typescript).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 3 folder 12. Diary: How to Improve the World (You Will Only Make Matters Worse) (second installment, final draft [including headnote and coversheet], 19 leaves, typescript with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 3 folder 13. Diary: How to Improve the World (You Will Only Make Matters Worse) (note [to Ray Grimaila], 1 leaf, typescript).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 3 folder 14. Diary: How to Improve the World (You Will Only Make Matters Worse) (second installment, final draft [including headnote], 3 leaves, typescript with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 3 folder 15. Diary: How to Improve the World (You Will Only Make Matters Worse) (first installment, headnote, 1 leaf, typescript with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 3 folder 16. Diary: How to Improve the World (You Will Only Make Matters Worse) (first installment, draft [including title page], 16 leaves, typescript with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 3 folder 17. Diary: How to Improve the World (You Will Only Make Matters Worse) (example, 1 leaf, typescript with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 3 folder 18. Diary: How to Improve the World (You Will Only Make Matters Worse) (sample model of final print).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 3 folder 19. Diary: How to Improve the World (You Will Only Make Matters Worse) (first installment, final draft, 30 leaves, 15 leaves typescript with manuscript corrections, 15 leaves corrected photocopy of corrected typescript).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 3 folder 20. Diary: How to Improve the World (You Will Only Make Matters Worse) (draft, 1 leaf, manuscript).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 3 folder 21. Diary: How to Improve the World (You Will Only Make Matters Worse) (draft, 1 leaf, manuscript).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 3 folder 22. Diary: How to Improve the World (You Will Only Make Matters Worse) (fifth installment, draft, 24 leaves, typescript with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 3 folder 23. Diary: How to Improve the World (You Will Only Make Matters Worse) (sixth installment, notes, 1 leaf, manuscript).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 3 folder 24. Diary: How to Improve the World (You Will Only Make Matters Worse) (sixth installment, final draft [including instructions to printer], 13 leaves, photocopy of typescript).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 3 folder 25. Diary: How to Improve the World (You Will Only Make Matters Worse) (sixth installment, galley proofs, 14 leaves, photocopy).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 3 folder 26. Re and not re Fuller and Mao (final draft, 6 leaves, typescript with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 3 folder 27. Diary: How to Improve the World (You Will Only Make Matters Worse) (sixth installment, model used, letter, Dick [Higgins?] to Cage, February 11, 1971, 1 leaf, signed).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 4 folder 11. 26 Statements re Duchamp (draft, 9 leaves, notebook).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 4 folder 12. 26 Statements re Duchamp (final draft [including headnote], 3 leaves, typescript with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 4 folder 13. 26 Statements re Duchamp (sketch for page layout [instructions to printer attached], 2 leaves).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 4 folder 14. 36 Mesostics re and not re Marcel Duchamp (clipping [author’s copy] from Vogue [London], 1972, 2 leaves).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 4 folder 15. 26 Statements re Duchamp (author’s copy of Mizue [Tokyo], September 1963).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 4 folder 16. Electronic Souls (letter, John Cage to the Village Voice, January 12, 1966, 1 leaf, typescript, signed).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 4 folder 17. Electronic Souls (clipping [author’s copy], Village Voice, January 20, 1966, 1 leaf).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 4 folder 18. Diary: Emma Lake Music Workshop 1965 (notes, 20 leaves, manuscript).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 4 folder 19. Diary: Emma Lake Music Workshop 1965 (notes, 13 leaves, manuscript).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 4 folder 20. Diary: Emma Lake Music Workshop 1965 (draft [first week], 9 leaves, manuscript).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 4 folder 21. Diary: Emma Lake Music Workshop 1965 (1 leaf, typescript).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 4 folder 22. Diary: Emma Lake Music Workshop 1965 (final draft [including headnote and instructions to printer], 7 leaves, typescript with corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 4 folder 23. Diary: Emma Lake Music Workshop 1965 (sketch for page layout, 1 leaf).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 5 folder 1. Empty Words (dedication, 1 leaf, manuscript).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 5 folder 2. Empty Words (headnotes, 14 leaves, typescript with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 5 folder 3. The Future of Music (draft [incomplete], 13 leaves, manuscript).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 5 folder 4. The Future of Music (final draft, 20 leaves, typescript with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 5 folder 5. How the Piano Came to Be Prepared (draft, 5 leaves, typescript).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 5 folder 6. How the Piano Came to Be Prepared (final draft, 5 leaves, typescript with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 5 folder 7. Empty Words (correspondence regarding the production process [including the book contract], approximately 75 pieces, with manuscript annotations).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 5 folder 8. Experimental Music (final draft [including headnote], 10 leaves, typescript with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 5 folder 9. Experimental Music: Doctrine (final draft, 2 leaves, typescript with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 5 folder 10. Experimental Music: Doctrine (author’s copy [including headnote], The Score and I.M.A. Magazine no. 12 [June 1955]).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 5 folder 11. On Film (final draft, 10 leaves, manuscript).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 5 folder 12. Forerunners of Modern Music (author’s copy of publication [including headnote], The Tiger’s Eye 1, no. 7 [March 1949]).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 5 folder 13. The Future of Music: Credo (final draft [including headnote], 3 leaves, typescript with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 5 folder 14. Series Re Morris Graves (fair copy [including instructions for printer and headnote], 24 leaves, photocopy with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 5 folder 15. Series Re Morris Graves (sketch of coversheet, 1 leaf, manuscript).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 5 folder 16. Series Re Morris Graves (coversheet, 1 leaf, typescript with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 5 folder 17. Series Re Morris Graves (coversheet, 1 leaf, photocopy with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 5 folder 18. Series Re Morris Graves (instructions for printer, 1 leaf, typescript with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 5 folder 19. Series Re Morris Graves (draft, 1 leaf, manuscript).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 5 folder 20. Series Re Morris Graves (final draft, 27 leaves, typescript with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 5 folder 21. Series Re Morris Graves (draft [part I], steno pad).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 5 folder 22. Series Re Morris Graves (draft [part II], steno pad).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 5 folder 23. Series Re Morris Graves (draft [part III], steno pad).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 5 folder 24. Series Re Morris Graves (draft, steno pad).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 5 folder 25. Series Re Morris Graves (draft, steno pad).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 6 folder 1. Series Re Morris Graves (draft, steno pad).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 6 folder 2. Series Re Morris Graves (draft [including envelope with additional notes], steno pad).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 6 folder 3. Morris Graves (final draft, 2 leaves, typescript).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 6 folder 9. History of Experimental Music in the United States (typescript with manuscript corrections [including headnote], 15 leaves).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 6 folder 10. History of Experimental Music in the United States (5 leaves and spiral-bound notebook).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 6 folder 11. How to Pass, Kick, Fall and Run (headnote, 1 leaf, typescript).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 6 folder 12. How to Pass, Kick, Fall and Run (draft, 7 leaves, manuscript).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 6 folder 13. How to Pass, Kick, Fall and Run (draft, 2 leaves, typescript with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 6 folder 14. How to Pass, Kick, Fall and Run (final draft [including headnote] , 71 leaves, annotated typescript).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 6 folder 15. How to Pass, Kick, Fall and Run (draft, pocket notepad).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 6 folder 16. How to Pass, Kick, Fall and Run (draft, pocket notepad).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 6 folder 17. How to Pass, Kick, Fall and Run (draft, pocket notepad).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 6 folder 18. Indeterminacy: New Aspect of Form in Instrumental and Electronic Music (draft, over 150 leaves, typescript with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 7 folder 1. Indeterminacy: New Aspect of Form in Instrumental and Electronic Music (final draft [including headnote], 68 leaves, typescript with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 7 folder 2. Indeterminacy: New Aspect of Form in Instrumental and Electronic Music (selection in French translation, draft, 8 leaves, typescript with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 7 folder 3. Indeterminacy: New Aspect of Form in Instrumental and Electronic Music (selection in French translation, draft, 8 leaves, typescript with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 7 folder 9. Two Statements on Ives (draft, 6 leaves).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 7 folder 10. Two Statements on Ives (headnote, draft, 1 leaf, typescript).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 7 folder 11. Two Statements on Ives (headnote, draft, 1 leaf, typescript with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 7 folder 12. Two Statements on Ives (headnote, draft, 1 leaf, typescript).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 7 folder 13. Two Statements on Ives (headnote, final draft, 1 leaf, typescript).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 7 folder 14. Two Statements on Ives (letter, Cage to Irving Glick, September 13, 1965, 1 leaf, typescript).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 7 folder 15. Two Statements on Ives (letter, Irving Glick to Cage, September 24, 1965, 1 leaf, typescript, signed).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 7 folder 16. Two Statements on Ives (second statement, transcript, 3 leaves, photocopy with manuscript additions).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 7 folder 17. Two Statements on Ives (letter, Cage to Irving Glick, September 27, 1965, 1 leaf, typescript).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 7 folder 18. Two Statements on Ives (second statement, transcript with added notations, draft, 10 leaves, blue and red ink).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 7 folder 19. Two Statements on Ives (second statement, transcript with added notations, final draft, 2 leaves, 28 x 44 cm).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 7 folder 20. Two Statements on Ives (letter, Cage to Michael Zahn, April 7, 1964, 2 leaves).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 7 folder 21. Two Statements on Ives (letter Cage to Michael Zahn, April 8, 1964, 4 leaves).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 7 folder 22. Two Statements on Ives (letter, Michael Zahn to Cage, September 29, 1965, 1 leaf, typescript).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 7 folder 23. Two Statements on Ives (letter, Cage to Michael Zahn, January 12, 1967, with Zahn’s response, January 14, 1967, 1 leaf, typescript).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 7 folder 24. Jasper Johns: Stories and Ideas (sketches, 30 index cards).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 7 folder 25. Jasper Johns: Stories and Ideas (model, 1 poster, 28 x 59 cm, with supplement, 1 leaf).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 7 folder 26. Jasper Johns: Stories and Ideas (model, clippings, 3 leaves).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 7 folder 27. Jasper Johns: Stories and Ideas (notes, 4 leaves).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 7 folder 28. Jasper Johns: Stories and Ideas (model, clipping, 1 leaf, from article by Dore Ashton, Arts and Architecture [March 1963], with highlighting by Cage).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 7 folder 29. Jasper Johns: Stories and Ideas (model [press release by Leo Castelli, January 20, 1958], photocopy, 1 leaf).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 7 folder 30. Jasper Johns: Stories and Ideas (notes, 1 leaf).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 7 folder 31. Jasper Johns: Stories and Ideas (notes, 2 leaves).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 7 folder 32. Jasper Johns: Stories and Ideas (notes, 2 leaves).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 7 folder 33. Jasper Johns: Stories and Ideas (model: Pierre Restany, "Jasper Johns and the Metaphysic of the Commonplace." Cimaise [Paris] 8, no. 55 (September-October 1961), 90-97, booklet, 8 leaves).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 7 folder 34. Jasper Johns: Stories and Ideas (notes, worksheets and first draft, 81 leaves).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 7 folder 35. Jasper Johns: Stories and Ideas (notes, 4 leaves).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 7 folder 36. Jasper Johns: Stories and Ideas (notes, 1 leaf).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 7 folder 37. Jasper Johns: Stories and Ideas (notes, 1 leaf).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 7 folder 38. Jasper Johns: Stories and Ideas (notes, 1 leaf).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 7 folder 39. Jasper Johns: Stories and Ideas (model, typescript, 5 leaves, transcript of interview with Jasper Johns).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 7 folder 40. Jasper Johns: Stories and Ideas (early drafts, 9 leaves).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 7 folder 41. Jasper Johns: Stories and Ideas (early draft, 1 leaf).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 7 folder 42. Jasper Johns: Stories and Ideas (notes, drafts and worksheets, 5 leaves).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 7 folder 43. Jasper Johns: Stories and Ideas (draft, 4 leaves, typescript with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 7 folder 44. Jasper Johns: Stories and Ideas (final draft [including headnote, coversheet, and attached instructions for printer], 19 leaves, typescript with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 8 folder 1. Juilliard Lecture (headnote, 1 leaf, typescript; lecture text, 46 leaves, manuscript, written on versos of posters from The Living Theater).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 8 folder 2. Juilliard Lecture (program of piano part, 1 leaf, manuscript).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 8 folder 3. Juilliard Lecture (lecture text, 2 leaves, manuscript).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 8 folder 4. Juilliard Lecture (final draft [including headnote and instructions to printer], 29 leaves, typescript with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 8 folder 5. Ladies of the Monday Club and Gentlemen of the Faculty (rough and final drafts, 6 leaves, typescript with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 8 folder 6. [Untitled] (1956-1958, designs for Jack Lenor Larsen, Inc.) (correspondence, 6 pieces).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 8 folder 7. [Untitled] (1956-1958, designs for Jack Lenor Larsen, Inc.) (catalog galley proofs).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 8 folder 8. [Untitled] (1956-1958, designs for Jack Lenor Larsen, Inc.) (Christmas card).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 8 folder 9. [Untitled] (1956-1958, designs for Jack Lenor Larsen, Inc.) (drapery advertisement).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 8 folder 10. [Untitled] (1956-1958, designs for Jack Lenor Larsen, Inc.) (Naugahyde advertisement).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 8 folder 11. [Untitled] (1956-1958, designs for Jack Lenor Larsen, Inc.) (private opening invitation).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 8 folder 12. [Untitled] (1956-1958, designs for Jack Lenor Larsen, Inc.) (stationery).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 8 folder 13. [Untitled] (1956-1958, designs for Jack Lenor Larsen, Inc.) (telegram advertisement).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 8 folder 14. [Untitled] (1956-1958, designs for Jack Lenor Larsen, Inc.) (ticket stub advertisement).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 8 folder 15. [Untitled] (1956-1958, designs for Jack Lenor Larsen, Inc.) (woolweaves advertisement).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 8 folder 21. Listening to Music (draft, 7 leaves, typescript).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 8 folder 22. Looking at Painting from a Musical Point of View (draft, 6 leaves, manuscript).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 8 folder 26. Foreword (ca. 1972-1973, to M) (draft, 13 leaves, manuscript).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 8 folder 27. Foreword (ca. 1972-1973, to M) (draft, 20 leaves, manuscript).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 8 folder 28. Foreword (ca. 1972-1973, to M) (draft, 9 leaves, typescript with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 8 folder 29. Foreword (ca. 1972-1973, to M) (final draft, 8 leaves, typescript with manuscript annotations).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 9 folder 7. Sixty-two Mesostics re Merce Cunningham (draft, 12 leaves in notebook).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 9 folder 8. Sixty-two Mesostics re Merce Cunningham (draft, 13 leaves, 12 in notebook and 1 loose leaf, undated).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 9 folder 9. Sixty-two Mesostics re Merce Cunningham (notes and calculations, 39 leaves).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 9 folder 10. Sixty-two Mesostics re Merce Cunningham (notes, drafts and calculations, 25 leaves, manuscript on print-out).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 9 folder 11. Sixty-two Mesostics re Merce Cunningham (final draft with numerical codes, 6 leaves, typescript with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 9 folder 17. McLuhan’s Influence (final draft, 2 leaves, typescript with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 9 folder 19. Miró in the Third Person: 8 Statements (notes, 12 leaves in 2 notebooks).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 9 folder 20. Miró in the Third Person: 8 Statements (draft, 3 leaves, manuscript).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 9 folder 21. Miró in the Third Person: 8 Statements (draft [including headnote], 5 leaves, typescript with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 9 folder 22. Miró in the Third Person: 8 Statements (final draft [including headnote], 4 leaves, typescript with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 9 folder 24. Mosaic (early draft, 17 leaves, manuscript).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 9 folder 25. Mosaic (headnote, draft, 1 leaf, typescript with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 9 folder 26. Mosaic (final draft [includes letter to David Madden, Kenyon Review], 12 leaves, typescript with manuscript corrections, April 21, 1965).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 9 folder 27. Mosaic (notes and worksheets [calculations], 12 leaves).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 9 folder 28. Mosaic (notes, 2 steno pads).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 9 folder 29. Mosaic (revised version, final draft [including headnote], 10 leaves, typescript with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 9 folder 30. Mureau (draft, steno pad, 60 leaves).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 9 folder 31. Mureau (final draft, 12 leaves, typescript with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 9 folder 32. Mureau (author’s copy of publication, Neue Musik (1972), 33 leaves).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 10 folder 5. A Few Ideas About Music and Films (final draft [including notes to printer], 3 leaves, typescript with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 10 folder 6. A Few Ideas About Music and Films (author’s copy of publication [Film Music Notes 10, no. 3 (January-February 1951)], with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 10 folder 7. Music Lovers’ Field Companion (draft [including headnote], 3 leaves, typescript with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 10 folder 8. Nam June Paik: A Diary (first draft, notebook).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 10 folder 9. Nam June Paik: A Diary (draft [including headnote], 4 leaves, typescript with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 10 folder 10. Nam June Paik: A Diary (final draft [including headnote], 4 leaves, typescript with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 10 folder 11. Nam June Paik: A Diary (author’s copy of publication).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 10 folder 12-17. Not Wanting to Say Anything about Marcel (6 steno notebooks).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 10 folder 22. Lecture on Nothing (final draft [including headnote and afternote], 50 leaves, typescript with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 10 folder 23. Other People Think (final draft, 4 leaves, typescript with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 10 folder 32. On Robert Rauschenberg, Artist, and His Work (final draft [including headnote], 16 leaves, typescript with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 10 folder 33. Remarks before a Recital (notes and draft, 1 notebook).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 10 folder 34. Remarks before a Recital (draft, 5 leaves, typescript with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 10 folder 35. Remarks before a Recital (draft, 4 leaves, typescript with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 10 folder 36. Remarks before a Recital (final draft [including headnote], 6 leaves, typescript with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 10 folder 37. Remarks before a Recital (author’s copy, program, 2 leaves, March 19, 1959. "David Tudor," La Maison Francaise at New York University, with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 11 folder 2. Remarks on Theater Song and Ikon (first draft, 9 leaves, manuscript).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 11 folder 3. Remarks on Theater Song and Ikon (final draft, 7 leaves and note cards, typescript with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 11 folder 6. Rhythm Etc. (notes and drafts, approximately 100 leaves, manuscript and typescript with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 11 folder 7. Rhythm Etc. (final draft [including haednote], 21 leaves, typescript with manuscript corrections and attached notes).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 11 folder 8. [Untitled] (1973, review of M.C. Richards, The Crossing Point) (final draft, 9 leaves, typescript with manuscript corrections. Book review).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 11 folder 9. [Untitled] (1973, review of M.C. Richards, The Crossing Point) (galley proofs, 2 leaves, uncorrected).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 11 folder 10. [Untitled] (1973, review of M.C. Richards, The Crossing Point) (author’s copy, Village Voice [December 27, 1973], Literary Supplement).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 11 folder 11. Erik Satie (sketch for page layout, 1 leaf).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 11 folder 12. Erik Satie (final draft [including headnote], 9 leaves, typescript with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 11 folder 15. Seriously Comma (draft, 20 leaves, manuscript).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 11 folder 16. Seriously Comma (final draft [including headnote and instructions to printer], typescript, 5 leaves).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 11 folder 26. Six Arts and Technology (draft, 3 leaves, typescript with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 11 folder 29. Lecture on Something (draft, autograph manuscript, 15 leaves).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 11 folder 30. Lecture on Something (final draft [including headnote], 29 leaves, typescript with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 11 folder 31. Lecture on Something (performance copy, 8 leaves, typescript with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 11 folder 32. Lecture on Something (performance copy, 9 leaves [versos of Merce Cunningham Summer Course flyers], typescript with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 12 folder 3. Talk I (notes, 3 leaves, typescript with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 12 folder 4. Talk I (final draft [inluding headnote], 7 leaves, typescript with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 12 folder 5. Music for Magnetic Tape: History (draft, 2 leaves, typescript with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 12 folder 6. Music for Magnetic Tape: History (draft, 2 leaves, typescript with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 12 folder 7. Music for Magnetic Tape: History (draft, 6 leaves, typescript with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 12 folder 8. Music for Magnetic Tape: History (draft, 1 leaf, typescript with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 12 folder 9. Music for Magnetic Tape: History (draft, 1 leaf, typescript with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 12 folder 10. Music for Magnetic Tape: History (final draft, 11 leaves, typescript with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 12 folder 11. These Days (draft, 4 leaves, typescript with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 12 folder 12. These Days (final draft, 4 leaves, manuscript corrections on photocopy [of the typescript]).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 12 folder 13. On Dylan Thomas (letter, Mimi Johnson to Elga Duval, January 26, 1972, 1 leaf, typescript).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 12 folder 14. On Dylan Thomas (draft, 1 leaf, typescript).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 12 folder 19. University in Motion: Matrix for the Arts (draft, 3 leaves, typescript with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 12 folder 20. Edgard Varèse (final draft [including headnote], 3 leaves, typescript with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 12 folder 27. Where Are We Eating? and What Are We Eating? (draft, steno pad).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 12 folder 28. Where Are We Eating? and What Are We Eating? (draft [I], steno pad including 4 loose leaves).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 12 folder 29. Where Are We Eating? and What Are We Eating? (draft [II], steno pad).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 13 folder 1. Where Are We Going? and What Are We Doing? (letter, Cage to Wesleyan University Press, 2 leaves, photocopy).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 13 folder 2. Where Are We Going? and What Are We Doing? (steno pad).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 13 folder 3. Where Are We Going? and What Are We Doing? (draft for track I, steno pad).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 13 folder 4. Where Are We Going? and What Are We Doing? (draft for track II, steno pad).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 13 folder 5. Where Are We Going? and What Are We Doing? (draft for track III, steno pad).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 13 folder 6. Where Are We Going? and What Are We Doing? (draft for track IV, steno pad).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 13 folder 7. Where Are We Going? and What Are We Doing? (headnote, draft, 3 leaves, manuscript).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 13 folder 8. Where Are We Going? and What Are We Doing? (notes, 1 leaf, manuscript).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 13 folder 9. Where Are We Going? and What Are We Doing? (notes, 2 leaves, manuscript).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 13 folder 10. Where Are We Going? and What Are We Doing? (final draft [including headnote], typescript with manuscript corrections, 90 leaves).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 13 folder 11. Where Do We Go From Here? (draft, 12 leaves, typescript with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 13 folder 12. Where Do We Go From Here? (final draft [including headnote], 8 leaves, typescript).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 13 folder 13. Where Do We Go From Here? (final draft [including headnote, instructions for printer, and printer’s corrections], 9 leaves, typescript with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 13 folder 14. Where Do We Go From Here? (copy of Dance Perspectives no. 16 [1963]).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 14 folder 4. Foreword [1966, to A Year From Monday] (draft, 3 leaves, typescript with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 14 folder 5. Foreword [1966, to A Year From Monday] (draft, 3 leaves, typescript with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 14 folder 6. A Year From Monday (headnotes, steno pad).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 14 folder 7. A Year from Monday (draft of contents, 1 leaf, typescript with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 14 folder 8. A Year from Monday (draft of contents, 1 leaf, typescript with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 14 folder 9. Talk I (headnote, 1 leaf, typescript with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 14 folder 10. Diary: Emma Lake Music Workshop 1965 (headnote, 1 leaf, typescript with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 14 folder 11. A Year from Monday (draft of contents, 1 leaf, typescript with manuscript corrections).

Middletown, Connecticut, Wesleyan University, Olin Library, collection 1000-72, box 14 folder 12. Memberships and correspondence (3 pieces).

Minneapolis, Minnesota, collection Martin Friedman. Cheap Imitation [orchestra] (worksheets).

Minneapolis, Minnesota, Fresh Air Inc., KFAI. Paragraphs of Fresh Air.

Montréal, Québec, The Daniel Langlois Foundation for Art, Science, and Technology, Research and Documentation Centre. Variations VII (draft, entitled “Twelve Remarks Re Musical Performance”).

New York, estate of Grete Sultan. The Perilous Night (draft, pencil?).

New York, John Cage Trust. 30 Drawings by Thoreau [art] (1 copy).

New York, John Cage Trust. The Sun [art] (notes, photocopy).

New York, John Cage Trust. WGBH-TV [art] (fair copy, incomplete [title page only], 1 leaf, 28 x 22 cm, unmarked vellum paper, black India ink).

New York, John Cage Trust. Writing through Finnegans Wake [text] (draft, incomplete [corresponding to pages 3-105, 107-187, 189-281, 280-365, 366-382 and 383-440 of model], 119 leaves, 17 leaves 36 x 28 cm, white graph paper, Tara, 24 leaves 18 x 26 cm, unmarked white graph paper, 1 leaf 28 cm, unmarked heavy white paper, 35 leaves 26 x 21 cm [overall], yellow pull paper, 41 leaves 28 cm, unmarked white paper, 1 leaf unmarked white paper, 23 x 16 cm, black, blue, green, lavender, red, turqoise ballpoint ink, turqoise pencil, colored pencil, felt-tip).

New York, John Cage Trust. Writing for the Second Time through Finnegans Wake [text] (extent unknown).

New York, Pierpont Morgan Library, Mary Flagler Cary Collection, Cary 311. Three Dances (first version). Amores (113 leaves in 11 fascicles: fascicle [1]. Three Dances [preparations for Piano II, draft, 2 leaves, 34 x 27 cm, 20-stave music paper, A. & L. Format C4, pencil]; fascicle [2]. Three Dances [first movement, fair copy, 7 leaves, 34 x 28 cm, 20-stave music paper, G. Schirmer Imperial Brand No. 19, black India ink]; fascicle [3]. Three Dances [third movement, fair copy, 17 leaves, 34 x 27 cm, 20-stave music paper, A. & L. Format C4, ink, some pencil, several erasures and deletions]; fascicle [4]. Three Dances [third movement, very early draft (including preparations, partly continuing fascicle [1]), 5 leaves, 1 leaf 28 x 22 cm (not even), unmarked white paper, 4 leaves 34 x 27 cm, 1 leaf 24-stave music paper, G. Schirmer Royal Brand No. 61, 2 leaves 20-stave music paper, A. & L. Format C4, 1 leaf unidentifiable 24-stave music paper, pencil, some red pencil, deletions]; fascicle [5] [2 leaves 34 x 27 cm, 20-stave music paper, A. & L. Format C4, blank]; fascicle [6]. Three Dances [first and second movements, early draft, 21 pages on 14 leaves, 34 x 28 cm, 20-stave music paper, G. Schirmer Imperial Brand No. 19, black India ink, some pencil, erasures]; fascicle [7]. Three Dances [early drafts [three drafts for third movement], 34 pages on 18 leaves, 34 x 28 cm, 20-stave music paper, G. Schirmer Imperial Brand No. 19, pencil, black India ink, many erasures]; fascicle [8]. Three Dances [second and third movements, unfinished draft] and Amores [first movement and second movement, measures 1-4, fair copy, and notes concerning preparation] [12 leaves, 34 x 28 cm (one leaf torn to smaller size), 20-stave music paper, G. Schirmer Imperial Brand No. 19, black India ink and pencil]; fascicle [9]. Three Dances [second movement, earlier and later drafts, 12 leaves, 34 x 27 cm, 20-stave music paper, A. & L. Format C4, pencil]; fascicle [10]. Three Dances [third movement, earlier draft and later draft, 26 pages on 17 leaves, 34 x 27 cm, 20-stave music paper, A. & L. Format C4, pencil, some ink, some deletions, many erasures]; fascicle [11]. Three Dances [second movement, later draft, 7 leaves, 34 x 27 cm, 20-stave music paper, A. & L. Format C4, pencil]).

New York, private collection. Variations I (three realizations for piano solo, fair copy, 11 [2, 3, and 6] leaves, 5 leaves 22 x 28 cm).

New York, Public Library, *MNZ-Amer. Two Pastorales. Waiting. Water Music (worksheets [charts] for First and Second Pastorale, 2 leaves, 44 x 28 cm, vellum paper, watermark Independent Music Publishers The Maestro Method, pencil; draft of First Pastorale and of Waiting and worksheets for Water Music, notebook, 32 x 25 cm, Presser’s Library Manucript Book No. 912, black, hardbound, containing 32 leaves plus front and back flyleaves [originally 40 leaves; first gathering has been removed], 32 x 24 cm, 12-stave music paper, pencil; note, 8 x 13 cm, note paper, dark blue ink; donation form, dark blue ink on xerox; letter, John Cage to Thor E. Wood, April 6, 1970; all items in box; corresponding to Pritchett 1988a, 313, NYPL/1-6).

New York, Public Library, JPB 86-7 no. 19. And the Earth Shall Bear Again (fair copy, 4 leaves, 32 x 25 cm, 12-stave music paper [1 leaf Carl Fischer No. 4, 3 leaves Robbins Premier Brand No. 101], black India ink, additional notations in pencil, blue ink stains).

New York, Public Library, JPB 88-70. The City Wears a Slouch Hat (revised version, score, fair copy, 26 leaves, 32 x 25 cm, 12-stave music paper, Robbins Music Corporation Premier Brand No. 101, ink with mounted typescript text).

New York, Public Library, JPB 94-24 folder 1. The Preacher (photocopy of sketches and draft, 6 leaves).

New York, Public Library, JPB 94-24 folder 2. Three Songs (draft, 4 pages on 2 leaves, 32 x 24 cm, 12-stave music paper, Carl Fischer Monarck Brand No. 4, pencil, some black India ink).

New York, Public Library, JPB 94-24 folder 3. Three Songs (photocopy of “At East and Ingredients,” draft, 2 leaves, 28 x 22 cm).

New York, Public Library, JPB 94-24 folder 4. Three Songs (photocopy of copy in Andras Wilheim’s hand, 4 leaves, 28 x 22 cm).

New York, Public Library, JPB 94-24 folder 5. Sonata for Clarinet [includes sketch for Solo with Obbligato Accompaniment of Two Voices in Canon, and Six Short Inventions on the Subjects of the Solo, Invention No. 6] (draft, 2 leaves, 32 x 24 cm, 14-stave music paper, Belwin Parchment Brand No. 16, black India ink, emendations [autograph and allograph, unknown hand] in pencil, colored [lavender] pencil, and black India ink).

New York, Public Library, JPB 94-24 folder 6. Sonata for Clarinet (fair copy, 7 leaves, 28 x 22 cm, vellum paper [1 leaf cut into three strips and mounted on leaf, 28 x 36 cm, unmarked heave white paper], black India ink, emendations in pencil).

New York, Public Library, JPB 94-24 folder 7. Sonata for Two Voices (draft, 3 pages on 2 leaves, 32 x 24 cm, 14-stave music paper, Belwin Parchment Brand No. 16, black India ink, some pencil and light blue and purple pencil).

New York, Public Library, JPB 94-24 folder 8. Sonata for Two Voices (instructions for copyist, autograph and allograph, 3 leaves, 28 x 22 cm, unmarked heavy white paper, pencil, some blue pencil and black India ink).

New York, Public Library, JPB 94-24 folder 9. Three Easy Pieces (photocopy of autograph fair copy, 3 leaves, 28 x 22 cm).

New York, Public Library, JPB 94-24 folder 10. Solo with Obbligato Accompaniment of Two Voices in Canon, and Six Short Inventions on the Subjects of the Solo (draft [includes sketches for Six Short Inventions], 15 pages on 8 leaves, 32 x 24 cm, 12-stave music paper, Carl Fischer Monarck Brand No. 4, black India ink, emendations in pencil and colored [dark blue, lavender] pencil).

New York, Public Library, JPB 94-24 folder 11. Solo with Obbligato Accompaniment of Two Voices in Canon, and Six Short Inventions on the Subjects of the Solo (fair copy, 16 pages on 18 leaves, 32 x 24 cm, unmarked 12-stave vellum music paper, black India ink, emendations in colored pencil).

New York, Public Library, JPB 94-24 folder 12. Composition for Three Voices [including notations concerning other, unidentified, compositions] (draft, 3 leaves, 32 x 24 cm, 12-stave music paper, Carl Fischer Monarck Brand No. 4, black India ink, some pencil and dark blue and purple pencil).

New York, Public Library, JPB 94-24 folder 13. Quartet (draft, 10 leaves, 22 x 28 cm [7 leaves white paper, watermark Adirondack Bond, 3 leaves Valley Paper Co-op Bond white graph paper, one of them torn to smaller size], mainly pencil, additions in black India ink and colored pencil).

New York, Public Library, JPB 94-24 folder 14. Quartet (fourth movement, parts, draft, 12 leaves, 32 x 24 cm, 12-stave music paper, Carl Fischer Superior Brand No. 104, black India ink, emendations in pencil, colored [red] pencil, and red ballpoint ink).

New York, Public Library, JPB 94-24 folder 15. Quartet (fair copy and notes [concerning galley proofs], incomplete, allograph [Paul Sadowski’s hand], 2 leaves, white paper, 28 x 22 cm and 22 x 36 cm, photocopy, annotations in pencil and colored [lavender] pencil).

New York, Public Library, JPB 94-24 folder 16. Quest (second movement, fair copy, 2 pages of music on 2 leaves, 32 x 24 cm, 12-stave music paper, G. Schirmer Style No. 10, black India ink, some pencil).

New York, Public Library, JPB 94-24 folder 17. Quest (second movement, galley proof, autograph and allograph, 1 page of music on 2 leaves, 36 x 28 cm, unmarked white paper, photocopy, with emendations in blue ballpoint ink and green colored pencil).

New York, Public Library, JPB 94-24 folder 18. Three Pieces for Flute Duet [includes fragmentary exercises in four-part counterpoint, possibly part of Cage’s work for Arnold Schoenberg] (draft, autograph and allograph, 2 leaves, 35 x 28 cm, 24-stave music paper, Carl Fischer Monarck Brand No. 22, pencil, emendations [comments] in pencil [Adolph Weiss’s hand], colored [red] pencil and black India ink).

New York, Public Library, JPB 94-24 folder 19. Three Pieces for Flute Duet [contains notations concerning other (unidentified) pieces] (second movement, draft, autograph and allograph [unknown hand], 2 leaves, 32 x 24 cm, 14-stave music paper, Carl Fischer Monarck Brand No. 6, pencil, some black India ink, dark blue ballpoint ink).

New York, Public Library, JPB 94-24 folder 20. Three Pieces for Flute Duet (instructions for reproduction, 1 leaf, 28 x 22 cm, white paper, watermark Attorney Bond, typescript, emendations in pencil and colored [light blue] pencil).

New York, Public Library, JPB 94-24 folder 21. Two Pieces for Piano (circa 1935) [contains notations concerning other (unidentified) pieces] (draft, 4 pages on 2 leaves, 35 x 28 cm, 24-stave music paper, Carl Fischer Monarck Brand No. 22, pencil, emendations in purple and red pencil and dark blue ballpoint ink).

New York, Public Library, JPB 94-24 folder 22. Two Pieces for Piano (circa 1935) (notes for the 1974 revision, 7 pages on 33 leaves spiral-bound in notebook, 23 x 15 cm, Banner Stenographer’s Note Book No. P-70W, white ruled paper, black ballpoint ink, dark blue India ink, pencil and brown pencil).

New York, Public Library, JPB 94-24 folder 23. Marriage at the Eiffel Tower (sketches and draft, autograph and allograph, 50 pages on 31 leaves, 28 leaves 32 x 24 cm, 12-stave music paper, Carl Fischer Superior Brand No. 104, 2 leaves 35 x 28 cm, 24-stave music paper, Carl Fischer Monarck Brand No. 22, 1 leaf 28 x 22 cm, white paper, watermark Hammermill Bond, black and colored India ink and pencil).

New York, Public Library, JPB 94-24 folder 24. Trio (draft, 5 pages on 3 leaves, 32 x 24 cm, 12-stave music paper, Sherman, Clay & Co. Shermclay Pen Ease Brand Style A, pencil, emendations in black India ink and blue ballpoint ink).

New York, Public Library, JPB 94-24 folder 25. Trio (part for player 2, draft, 2 pages on 1 leaf, 32 x 24 cm, 12-stave music paper, Sherman, Clay & Co. Shermclay Pen Ease Brand Style A, black India ink, emendations in black India ink).

New York, Public Library, JPB 94-24 folder 26. Trio (part for player 3, draft, 2 pages on 1 leaf, 32 x 24 cm, 12-stave music paper, Sherman, Clay & Co. Shermclay Pen Ease Brand Style A, black India ink, emendations in black India ink and pencil).

New York, Public Library, JPB 94-24 folder 27. Trio (part for player 3, draft, allograph [unknown hand], 2 pages on 1 leaf, 32 x 24 cm, 12-stave music paper, Sherman, Clay & Co. Shermclay Pen Ease Brand Style A, black India ink, emendations in pencil).

New York, Public Library, JPB 94-24 folder 28. Bacchanale (fair copy, autograph and allograph, 7 leaves, 32 x 24 cm, 12-stave music paper, Sherman, Clay & Co. Shermclay Pen Ease Brand Style A, black India ink, some pencil).

New York, Public Library, JPB 94-24 folder 29. Bacchanale (notes, instructions for performance, allograph [Jeanne Kirstein’s hand], 1 leaf, unmarked white paper, 19 x 14 cm, black and dark blue ballpoint ink).

New York, Public Library, JPB 94-24 folder 30. Bacchanale (galley proof, 13 leaves, 31 x 24 cm, unmarked white paper, light blue and purple pencil and black ballpoint ink on photocopy).

New York, Public Library, JPB 94-24 folder 31. Five Songs for Contralto (fair copy, 12 leaves, 32 x 24 cm, 12-stave music paper, 2 leaves Carl Fischer Monarck Brand No. 4, 8 leaves Carl Fischer Superior Brand No. 104, 2 leaves G. Schirmer Style No. 10, black India ink, emendations in black India ink).

New York, Public Library, JPB 94-24 folder 32. Metamorphosis (fair copy, 23 pages on 12 leaves, 32 x 24 cm, 12-stave music paper, Carl Fischer Monarck Brand No. 4, black India ink, emendations in pencil).

New York, Public Library, JPB 94-24 folder 33. Metamorphosis (fair copy [without barlines in third and fourth movements], allograph [unknown hand], 11 pages on 8 leaves, 32 x 24 cm, 12-stave music paper, Carl Fischer Monarck Brand No. 4, black India ink, emendations in pencil).

New York, Public Library, JPB 94-24 folder 34. Music for Wind Instruments (fair copy, 30 pages on 17 leaves, 16 leaves 32 x 24 cm, 12-stave music paper, Carl Fischer Superior Brand No. 104, 1 leaf 32 x 25 cm, unmarked white cardboard, black India ink, emendations in colored [light blue] pencil).

New York, Public Library, JPB 94-24 folder 35. Music for Wind Instruments (parts, fair copy, 31 pages on 20 leaves, 32 x 24 cm, 12-stave music paper, Carl Fischer Superior Brand No. 104, black India ink, emendations in pencil).

New York, Public Library, JPB 94-24 folder 36. Music for Wind Instruments (part for bassoon, fair copy, allograph [unknown hand], incomplete [third movement, measures 143-186 only], 1 leaf, 30 x 24 cm, unidentifiable music paper [cut, 10 staves left], black India ink).

New York, Public Library, JPB 94-24 folder 37. First Construction (in Metal) (worksheet, 2 pages on 1 leaf, 28 x 22 cm, unmarked white paper, pencil, some black India ink).

New York, Public Library, JPB 94-24 folder 38. First Construction (in Metal) (worksheet, 1 leaf, 28 x 22 cm, 14-stave plain vellum music paper, Independent Music Publishers Maestro No. 123, pencil).

New York, Public Library, JPB 94-24 folder 39. First Construction (in Metal) (fair copy, 28 pages on 16 leaves, 32 x 24 cm, 12-stave music paper, 2 leaves Robbins Music Corporation Premier Brand No. 101, 14 leaves Sherman, Clay & Co. Shermclay Pen Ease Brand Style A, black India ink, emendations in pencil, colored [light blue, lavender, red] pencil and dark blue ballpoint ink).

New York, Public Library, JPB 94-24 folder 40. First Construction (in Metal) (fair copy of measures 1-16, 2 pages on 2 leaves, 28 x 22 cm, 14-stave plain vellum music paper, Independent Music Publishers Maestro No. 123, black India ink).

New York, Public Library, JPB 94-24 folder 41. First Construction (in Metal) (instructions for performance, draft, 2 leaves, 28 x 22 cm, white paper, watermark Hy Tone, typescript, annotations in black India ink and pencil).

New York, Public Library, JPB 94-24 folder 42. First Construction (in Metal) (fair copy, 26 leaves, unmarked vellum paper, 25 leaves 32 x 24 cm, 1 leaf 33 x 24 cm, black India ink, emendations in pencil and colored [light blue, lavender] pencil).

New York, Public Library, JPB 94-24 folder 43. First Construction (in Metal) (parts, fair copy, 27 pages on 18 leaves, 32 x 24 cm, unmarked vellum paper, black India ink, emendations in colored [light blue, lavender, turqoise] pencil, and dark blue and black ballpoint ink).

New York, Public Library, JPB 94-24 folder 44. First Construction (in Metal) (parts, fair copy, autograph and allograph, 18 leaves, 16 leaves 32 x 24 cm, 12-stave music paper, 9 leaves Carl Fischer Monarck Brand No. 4, 7 leaves Sherman, Clay & Co. Shermclay Pen Ease Brand Style A, 2 leaves 30 x 24 cm, unidentifiabe music paper, black India ink, emendations in pencil, colored [light blue, red] pencil, black India ink, and dark blue ballpoint ink).

New York, Public Library, JPB 94-24 folder 45. First Construction (in Metal) (instructions for reproduction, 1 leaf, 28 x 22 cm, white paper, watermark Attorney Bond, typescript).

New York, Public Library, JPB 94-24 folder 46. Imaginary Landscape No. 1 (fair copy, autograph and allograph, 7 pages on 6 leaves, 32 x 24 cm, 12-stave music paper, 2 leaves Carl Fischer Superior Brand No. 104, 4 leaves Sherman, Clay & Co. Shermclay Pen Ease Brand Style A, black India ink, additions in pencil [unidentified hand] and black India ink).

New York, Public Library, JPB 94-24 folder 47. Imaginary Landscape No. 1 (parts, draft, autograph [parts for player 1, 2, 3] and allograph [part for player 4, unidentified hand]; includes sketches for unidentified <unfinished?> piece for two pianos, possibly excerpt from Marriage at the Eiffel Tower, 10 measures], 7 leaves, 32 x 24 cm, 12-stave music paper, Sherman, Clay & Co. Shermclay Pen Ease Brand Style A, black India ink, sketches in pencil).

New York, Public Library, JPB 94-24 folder 48. Imaginary Landscape No. 1 (notes, allograph [Doris Dennison’s hand], 1 leaf, 8 x 13 cm, unmarked white paper, dark blue ballpoint ink).

New York, Public Library, JPB 94-24 folder 49. Fads and Fancies in the Academy (fair copy, 36 pages on 19 leaves, 32 x 24 cm, 12-stave music paper, Sherman, Clay & Co. Shermclay Pen Ease Brand Style A, black India ink, some emendations in pencil and colored pencil).

New York, Public Library, JPB 94-24 folder 50. Imaginary Landscape No. 2 (1940) (score, fair copy, 4 leaves, 32 x 24 cm, 12-stave music paper, Sherman, Clay & Co. Shermclay Pen Ease Brand Style A, black India ink).

New York, Public Library, JPB 94-24 folder 51. Imaginary Landscape No. 2 (1940) (instructions for performance, fair copy, 1 leaf, 28 x 22 cm, white paper, watermark Hy Tone, typescript [carbon copy]).

New York, Public Library, JPB 94-24 folder 52. Living Room Music (draft, incomplete [lacking conclusion of second movement], 10 leaves, unmarked white [yellowed] paper, 5 leaves 22 x 28 cm, 5 leaves 22 x circa 32 cm, pencil, some black and dark blue India ink, colored pencil).

New York, Public Library, JPB 94-24 folder 53. Living Room Music (parts, fair copy, autograph and allograph [first, second and third movements only], 15 pages on 13 leaves, 1 leaf 32 x 24 cm, 12-stave music paper, Sherman, Clay & Co. Shermclay Pen Ease Brand Style A, 12 leaves 22 x 28 cm, white paper, 4 leaves unmarked, 8 leaves watermark Cowdery Bond, black India ink, some pencil, black India ink and dark blue ballpoint ink).

New York, Public Library, JPB 94-24 folder 54. Living Room Music (galley proof, 19 leaves, 31 x 24 cm, unamarked white paper, photocopy, emendations in red felt-tip ink, colored [lavender] pencil, and blue ballpoint ink).

New York, Public Library, JPB 94-24 folder 55. Second Construction (draft, 10 leaves, 32 x 24 cm, 12-stave music paper, Sherman, Clay & Co. Shermclay Pen Ease Brand Style A, pencil and typescript, some black India ink).

New York, Public Library, JPB 94-24 folder 56. Second Construction (fair copy, 10 leaves, 32 x 24 cm, 12-stave music paper, Carl Fischer Superior Brand No. 104, black India ink).

New York, Public Library, JPB 94-24 folder 57. Second Construction (instructions for performance, fair copy, allograph, 1 leaf, 26 x 19 cm, white paper, watermark unidentifiable, black ballpoint ink and pencil on photocopy).

New York, Public Library, JPB 94-24 folder 58. Second Construction (parts, autograph with allograph emendations [different hands], draft, 11 leaves, 32 x 24 cm, 12-stave music paper, Sherman, Clay & Co. Shermclay Pen Ease Brand Style A, black India ink, some pencil).

New York, Public Library, JPB 94-24 folder 59. Second Construction (part for player 1, draft, allograph, 2 leaves, 32 x 24 cm, 12-stave music paper, Sherman, Clay & Co. Shermclay Pen Ease Brand Style A, black India ink, emendations [autograph?] in pencil).

New York, Public Library, JPB 94-24 folder 60. Double Music (parts for players 1 and 3, draft, 5 pages on 4 leaves, 32 x 24 cm, 12-stave music paper, Sherman, Clay & Co. Shermclay Pen Ease Brand Style A, pencil, some black and dark blue pencil and black India ink).

New York, Public Library, JPB 94-24 folder 61. Double Music (draft, autograph and allograph, 10 pages on 6 leaves, 32 x 24 cm, 12-stave music paper, Sherman, Clay & Co. Shermclay Pen Ease Brand Style A, pencil, some dark blue pencil and dark blue ballpoint ink).

New York, Public Library, JPB 94-24 folder 62. Double Music (parts, draft, autograph and allograph, incomplete [lacking part for player 4], 9 pages on 9 leaves, 32 x 24 cm, 5 leaves 12-stave music paper, Sherman, Clay & Co. Shermclay Pen Ease Brand Style A, 4 leaves 10-stave yellow music paper, Forest Brand, black India ink, some pencil and red and green colored pencil).

New York, Public Library, JPB 94-24 folder 63. Double Music (instructions for copyist, 3 leaves, 22 x 28 cm, unmarked white paper, dark blue ballpoint ink and light blue pencil).

New York, Public Library, JPB 94-24 folder 64. Third Construction (draft, 33 pages on 18 leaves, 32 x 24 cm, 12-stave music paper, Sherman, Clay & Co. Shermclay Pen Ease Brand Style A, pencil, emendations in colored [light blue, dark green] pencil and black India ink).

New York, Public Library, JPB 94-24 folder 65. Third Construction (parts, draft, 25 pages on 14 leaves, 32 x 24 cm, 12-stave music paper, 10 leaves Carl Fischer Monarck Brand No. 4, 4 leaves Sherman, Clay & Co. Shermclay Pen Ease Brand Style A, black India ink, emendations in pencil, colored [red, dark green] pencil, and dark blue and black India ink).

New York, Public Library, JPB 94-24 folder 66. And the Earth Shall Bear Again (instructions for reproduction, 1 leaf, 28 x 22 cm, white onion skin paper, watermark Esquire Onion Skin, typescript).

New York, Public Library, JPB 94-24 folder 67. And the Earth Shall Bear Again (composer’s copy, 5 leaves in 1 fascicle, 34 x 26 cm, unmarked white paper, photostat, annotations in pencil and colored [lavender] pencil).

New York, Public Library, JPB 94-24 folder 68. And the Earth Shall Bear Again (fair copy of title page and notes, autograph and allograph, 1 leaf and 1 envelope, 18 x 24 cm, unmarked vellum paper, black India ink and typescript, annotations in colored pencil; envelope with allograph notes [unknown hand]).

New York, Public Library, JPB 94-24 folder 69. Credo in Us (sketches and draft, 41 pages on 26 leaves, 32 x 24 cm, 12-stave music paper, 23 leaves G. Schirmer Royal Brand No. 54, 3 leaves Robbins Music Corporation Premier Brand No. 101, pencil, some colored pencil [black, dark blue, red], black and dark blue India ink).

New York, Public Library, JPB 94-24 folder 70. Credo in Us (fair copy, 26 pages on 16 leaves, 32 x 24 cm, 12-stave music paper, Robbins Music Corporation Premier Brand No. 101, black India ink, some pencil).

New York, Public Library, JPB 94-24 folder 71. Credo in Us (instructions for reproduction, 1 leaf, 28 x 22 cm, white paper, watermark Attorney Bond, typescript).

New York, Public Library, JPB 94-24 folder 72. Credo in Us (composer’s copy [of published score], autograph and allograph [unknown hand], 15 leaves spiral-bound in 1 fascicle with green and transparent green covers, 28 x 22 cm, unmarked heavy white paper, pencil, colored [red and blue] pencil, blue ballpoint ink).

New York, Public Library, JPB 94-24 folder 73. Imaginary Landscape No. 2 (1942) (fair copy, 12 leaves, 32 x 24 cm, 12-stave music paper, Robbins Music Corporation Premier Brand No. 101, pencil, some black India ink).

New York, Public Library, JPB 94-24 folder 74. Imaginary Landscape No. 2 (1942) (instructions for reproduction, autograph and allograph, 1 leaf, 28 x 22 cm, white paper, watermark Attorney Bond, typescript, some pencil).

New York, Public Library, JPB 94-24 folder 75. Imaginary Landscape No. 2 (1942) (galley proof, 15 leaves, 31 x 24 cm, unmarked white paper, light blue pencil and black India ink on photocopy).

New York, Public Library, JPB 94-24 folder 76. Imaginary Landscape No. 2 (1942) (parts, galley proof, 22 leaves, 28 x 22 cm, unmarked white paper, light blue pencil and black India ink on photocopy).

New York, Public Library, JPB 94-24 folder 77. Imaginary Landscape No. 2 (1942) (composer’s copy, 1 fascicle, 33 x 27 cm, 12 leaves, staple-bound with covers, unmarked white paper, pencil, colored [light blue and purple] pencil and black ballpoint ink on photostat).

New York, Public Library, JPB 94-24 folder 78. Imaginary Landscape No. 3 (part for player 3, sketch, incomplete [part for player 3, measures 1-13], 1 page of music on 1 leaf, 32 x 24 cm, 12-stave music paper, Sherman, Clay & Co. Shermclay Pen Ease Brand Style A, pencil).

New York, Public Library, JPB 94-24 folder 79. Imaginary Landscape No. 3 (draft, 8 leaves, 32 x 24 cm, 12-stave music paper, Robbins Music Corporation Premier Brand No. 101, pencil, some red pencil and black India ink).

New York, Public Library, JPB 94-24 folder 80. Imaginary Landscape No. 3 (fair copy, allograph [Xenia Cage’s hand?] with autograph annotations, 8 leaves, 32 x 24 cm, 12-stave music paper, Robbins Music Corporation Premier Brand No. 101, black India ink, some pencil and dark blue pencil).

New York, Public Library, JPB 94-24 folder 81. Imaginary Landscape No. 3 (parts, draft, autograph and allograph, 10 leaves, 32 x 24 cm, 12-stave music paper, Robbins Music Corporation Premier Brand No. 101, black India ink and pencil, some red pencil and red ballpoint ink; many corrected passages pasted into parts).

New York, Public Library, JPB 94-24 folder 82. Imaginary Landscape No. 3 (fair copy, 14 leaves, 32 x 24 cm, unmarked vellum paper, black India ink, some dark blue and turquoise pencil).

New York, Public Library, JPB 94-24 folder 83. In the Name of the Holocaust (sketch and fair copy, 6 leaves, 32 x 24 cm, 12-stave music paper, G. Schirmer Royal Brand No. 54, black India ink and pencil, some red pencil).

New York, Public Library, JPB 94-24 folder 84. The City Wears a Slouch Hat (revised version, draft, 56 pages on 31 leaves, 32 x 25 cm, 12-stave music paper, Robbins Music Corporation Premier Brand No. 101, pencil, some red pencil and black India ink).

New York, Public Library, JPB 94-24 folder 85. The City Wears a Slouch Hat (revised version [possibly incomplete, lacking part for player 6], parts, draft, autograph and allograph, 41 pages on 27 leaves, 32 x 25 cm, 12-stave music paper, Robbins Music Corporation Premier Brand No. 101 [numerous passages pasted on original leaves], mainly pencil, some colored [red and green] pencil).

New York, Public Library, JPB 94-24 folder 86. Primitive (fair copy, 7 pages on 6 leaves, 32 x 24 cm, 12-stave music paper, G. Schirmer Royal Brand No. 54, black India ink).

New York, Public Library, JPB 94-24 folder 87. Primitive (instructions for reproduction, 1 leaf, 28 x 22 cm, white paper, watermark Attorney Bond, typescript).

New York, Public Library, JPB 94-24 folder 88. Totem Ancestor [verso of page 2 includes 24 measures from Erik Satie, La Diva de L’“Empire”, Intermezzo Américain, arranged by Hans Ourdine] (draft, 2 leaves, 32 x 25 cm, 12-stave music paper, Robbins Music Corporation Premier Brand No. 101, black India ink, some pencil and black, purple, and red colored pencil).

New York, Public Library, JPB 94-24 folder 89. Totem Ancestor (instructions for reproduction, 1 leaf, 28 x 22 cm, white paper, watermark Attorney Bond, typescript).

New York, Public Library, JPB 94-24 folder 90. Totem Ancestor (title page, fair copy, 1 leaf, 33 x 24 cm, unmarked vellum paper, black India ink and typescript, some colored pencil).

New York, Public Library, JPB 94-24 folder 91. Four Dances (photocopy of fair copy [present location unknown], 54 leaves, 28 cm + 1 envelope).

New York, Public Library, JPB 94-24 folder 92. Ad Lib (sketch and draft, 9 pages on 7 leaves, 32 x 24 cm, 12-stave music paper, 5 leaves G. Schirmer Imperial Brand No. 10, 2 leaves O. Pagani & Bro. Apec Music Papers No. 1, black India ink with pencil annotations; final pages in pencil).

New York, Public Library, JPB 94-24 folder 93. Ad Lib (fair copy [lacking final measures], 5 pages on 4 leaves, 32 x 24 cm, 12-stave music paper, G. Schirmer Imperial Brand No. 10, black India ink, some colored pencil).

New York, Public Library, JPB 94-24 folder 94. Ad Lib (photocopy of notes by Richard Bunger to copyist, 4 leaves, 28 x 22 cm).

New York, Public Library, JPB 94-24 folder 95. Amores (second movement, parts for players 1 and 3, draft, 4 leaves, 32 cm, music paper, ink, pencil, colored pencil).

New York, Public Library, JPB 94-24 folder 96. Amores (fair copy, 19 leaves, 18 leaves 32 cm, music paper, 1 leaf 28 cm, white paper, ink, typescript, pencil, colored pencil).

New York, Public Library, JPB 94-24 folder 97. Amores (second movement, parts for players 2 and 3, fair copy, 4 leaves, 32 cm, music paper, ink, pencil).

New York, Public Library, JPB 94-24 folder 98. A Room (fair copy, allograph [Richard Herbert Howe’s hand] and autograph [signature], 5 leaves, 34 x 26 cm, unmarked vellum paper, black India ink, some colored pencil).

New York, Public Library, JPB 94-24 folder 99. Chess Pieces (sketch and draft, 13 pages on 9 leaves, 34 x 28 cm, 20-stave music paper, G. Schirmer Imperial Brand No. 19, pencil, some black India ink).

New York, Public Library, JPB 94-24 folder 100. Our Spring Will Come (fair copy, 4 leaves, 32 x 24 cm, 12-stave music paper, G. Schirmer Imperial Brand No. 10, black India ink, some pencil and purple pencil and red and dark blue ballpoint ink).

New York, Public Library, JPB 94-24 folder 101. Our Spring Will Come (photocopy of editorial notes by Richard Bunger, 4 leaves, 28 x 22 cm).

New York, Public Library, JPB 94-24 folder 102. She Is Asleep (Quartet and Duet, fair copy, 16 [not 15, CATNYP] leaves, vellum paper, 15 leaves 28 x 22 cm [page 6 cut to 15 x 21 cm], watermark Certificate Bond, 1 leaf 28 x 21 cm, unmarked, black India ink, some pencil and colored pencil).

New York, Public Library, JPB 94-24 folder 103. She Is Asleep (Solo, draft, 2 pages on 2 leaves, 35 x 28 cm, 24-stave music paper, G. Schirmer Imperial Brand No. 6, pencil).

New York, Public Library, JPB 94-24 folder 104. Tossed As It Is Untroubled (fair copy, 2 leaves [1 leaf with table of preparations pasted on double leaf, 22 x 15 cm, unmarked white ruled paper], 34 x 28 cm, 24-stave music paper, G. Schirmer Royal Brand No. 61, black India ink, typescript, pencil and colored pencil).

New York, Public Library, JPB 94-24 folder 105. Tossed As It Is Untroubled (title page, fair copy, 1 leaf, 33 x 24 cm, unmarked vellum paper, black India ink and typescript).

New York, Public Library, JPB 94-24 folder 106. Triple-Paced (First Version) (fair copy, 6 leaves, 2 leaves 34 x 28 cm, 24-stave music paper, G. Schirmer Royal Brand No. 61, 4 leaves 32 x 24 cm, 12-stave music paper, G. Schirmer Imperial Brand No. 10, black India ink, some pencil and purple pencil).

New York, Public Library, JPB 94-24 folder 107. Triple-Paced (First Version) and Triple-Paced (Second Version) (photocopy of editorial notes by Richard Bunger, 3 leaves).

New York, Public Library, JPB 94-24 folder 108. Triple-Paced (Second Version) (fair copy, 2 leaves, 34 x 28 cm, 24-stave music paper, G. Schirmer Royal Brand No. 61, black India ink, some pencil and colored [light blue, purple] pencil).

New York, Public Library, JPB 94-24 folder 109. The Perilous Night (fair copy, 25 leaves, 35 x 28 cm [title page 27 x 28 cm, page 19 29 x 28 cm], vellum paper, watermark Independent Music Publishers The Maestro Method, black India ink).

New York, Public Library, JPB 94-24 folder 110. A Book of Music (fair copy [instructions for performance incomplete], 48 pages on 31 leaves, 24-stave music paper, 22 leaves 34 x 28 cm, G. Schirmer Royal Brand No. 61, 8 leaves 35 x 28 cm, G. Schirmer Imperial Brand No. 6, 1 leaf 34 x 28 cm, MM No. 10, black India ink, some pencil).

New York, Public Library, JPB 94-24 folder 111. Crete and Dad (photocopies of fair copy, 2 leaves, 30 cm).

New York, Public Library, JPB 94-24 folder 112. A Valentine out of Season (composer’s copy, 10 leaves in 1 fascicle, 15 x 18 cm, staple-bound in heavy blue paper cover, unmarked white paper, pencil and light blue and turquoise colored pencil on photostat reproduction).

New York, Public Library, JPB 94-24 folder 113. Four Walls (draft, 41 pages on 28 leaves, 35 x 28 cm, 24-stave music paper, G. Schirmer Imperial Brand No. 6, black India ink, some pencil, light blue, red, and orange pencil and dark blue ballpoint ink).

New York, Public Library, JPB 94-24 folder 114. Four Walls (instructions for copyist, autograph?, 1 leaf, 36 x 28 cm, unmarked white paper, pencil and red ballpoint ink on photocopy [reproduction of page 9 of draft]).

New York, Public Library, JPB 94-24 folder 115. Prelude for Meditation (fair copy, 3 leaves, 14 x 22 cm, unmarked vellum paper, black India ink).

New York, Public Library, JPB 94-24 folder 116. Root of an Unfocus (draft, 3 leaves, 2 leaves 34 x 28 cm, 24-stave music paper, G. Schirmer Royal Brand No. 61, 1 leaf 28 x 22 cm, white paper, watermark Atlantic Bond, black India ink, some typescript, pencil, and colored pencil).

New York, Public Library, JPB 94-24 folder 117. Root of an Unfocus (title page, 1 leaf, 33 x 24 cm, unmarked vellum paper, black India ink and typescript).

New York, Public Library, JPB 94-24 folder 118. Spontaneous Earth (fair copy, 4 leaves, 34 x 28 cm, 24-stave music paper, G. Schirmer Royal Brand No. 61, black India ink, some pencil).

New York, Public Library, JPB 94-24 folder 119. Spontaneous Earth (instructions for performance, fair copy, autograph and allograph, 1 leaf, 22 x 28 cm, unmarked white paper, pencil and red felt-tip ink on photocopy).

New York, Public Library, JPB 94-24 folder 120. The Unavailable Memory of (fair copy, 2 leaves, 34 x 27 cm, 24-stave music paper, G. Schirmer Royal Brand No. 61, black India ink, some pencil and purple pencil).

New York, Public Library, JPB 94-24 folder 121. The Unavailable Memory of (instructions for copyist, 2 leaves, 28 x 38 cm [1 leaf torn to 28 x 21 cm], computer form-feed paper, Moore Business Forms Speedifax Form 1412S, dark blue ballpoint ink, pencil, red and purple pencil).

New York, Public Library, JPB 94-24 folder 122. The Unavailable Memory of (photocopy of editorial notes by Richard Bunger, 1 leaf, 28 x 22 cm).

New York, Public Library, JPB 94-24 folder 123. Daughters of the Lonesome Isle (fair copy, 14 pages on 8 leaves, 35 x 28 cm, 18-stave music paper, G. Schirmer Imperial Brand No. 5, dark blue India ink, emendations in pencil, colored [lavender, red] pencil, and red ballpoint ink).

New York, Public Library, JPB 94-24 folder 124. Mysterious Adventure (sketch of score and draft of instructions for performance [table of preparations], 2 leaves, 34 x 28 cm, 20-stave music paper, G. Schirmer Imperial Brand No. 19, pencil, emendations in colored [light blue] pencil).

New York, Public Library, JPB 94-24 folder 125. Mysterious Adventure (draft [instructions for performance (table of preparations) incomplete], 5 leaves, 34 x 27 cm, music paper, A. & L. Format C4, black India ink, emendations in pencil, colored [red] pencil, and black India ink).

New York, Public Library, JPB 94-24 folder 126. Soliloquy (fair copy, 3 pages on 4 leaves, 34 x 27 cm, 24-stave music paper, G. Schirmer Royal Brand No. 61, black India ink, some pencil).

New York, Public Library, JPB 94-24 folder 127. Encounter (sketch, 7 leaves, 35 x 28 cm, 16-stave music paper, Belwin Parchment Brand No. 13, pencil, some black India ink).

New York, Public Library, JPB 94-24 folder 128. Ophelia (fair copy, 9 pages on 8 leaves, 36 x 28 cm, music paper, G. Ricordi & Co. No. 7, black India ink, emendations in pencil, colored [red] pencil, and black India ink).

New York, Public Library, JPB 94-24 folder 129. Daughters of the Lonesome Isle, Forever and Sunsmell, Ophelia (instructions for reproduction, 1 leaf, 28 x 22 cm, white paper, watermark Attorney Bond, typescript, annotations in pencil).

New York, Public Library, JPB 94-24 folder 130. Ophelia (composer’s copy [copyist’s model], autograph and allograph, 6 leaves staple-bound in 1 fascicle with green covers, 37 x 28 cm, unmarked white printed paper, emendations in colored [blue] ballpoint ink and colored [black and red] pencil).

New York, Public Library, JPB 94-24 folder 131. Prelude for Six Instruments in A Minor (fair copy, 11 pages on 8 leaves, 35 x 28 cm, 16-stave music paper, Belwin Parchment Brand No. 13, pencil, some black India ink).

New York, Public Library, JPB 94-24 folder 132. Prelude for Six Instruments in A Minor (parts, draft, autograph and allograph [unidentified hand], 14 leaves, 35 x 28 cm, 16-stave music paper, Belwin Parchment Brand No. 13, black India ink, some pencil).

New York, Public Library, JPB 94-24 folder 133. Two Pieces for Piano (1946) (draft, 8 leaves, 35 x 28 cm, 20-stave music paper, Belwin Parchment Brand No. 14, pencil, some black India ink and purple pencil).

New York, Public Library, JPB 94-24 folder 134. Two Pieces for Piano (1946) (instructions for reproduction, 1 leaf, 28 x 22 cm, white paper, watermark Attorney Bond, typescript).

New York, Public Library, JPB 94-24 folder 135. Music for Marcel Duchamp (fair copy, 9 leaves, 28 x 22 cm, unmarked vellum paper, black India ink, some colored pencil).

New York, Public Library, JPB 94-24 folder 136. The Seasons (sketches and draft, 105 pages on 72 leaves, 35 x 28 cm, 21-stave music paper, Carl Fischer Monarck Brand No. 35, pencil, some black India ink).

New York, Public Library, JPB 94-24 folder 137. The Seasons (instructions for reproduction, 1 leaf, 28 x 22 cm, white paper, watermark Attorney Bond, typescript).

New York, Public Library, JPB 94-24 folder 138. The Seasons (piano reduction, draft, 20 pages on 13 leaves, 10 leaves 34 x 28 cm, 20-stave music paper, G. Schirmer Imperial Brand No. 19, 3 leaves 35 x 28 cm, 21-stave music paper, Carl Fischer Monarck Brand No. 35, pencil, some black India ink).

New York, Public Library, JPB 94-24 folder 139. The Seasons (piano reduction, fair copy, 14 pages on 16 leaves, [cut to] 35 x 28 cm, vellum music paper, watermark Old Deerfield Bond, black India ink).

New York, Public Library, JPB 94-24 folder 140. Socrate (arrangement) (first movement, draft, 7 pages on 5 leaves, 34 x 28 cm, 20-stave music paper, G. Schirmer Imperial Brand No. 19, pencil, some India ink).

New York, Public Library, JPB 94-24 folder 141. Socrate (arrangement) (second and third movement, fair copy, autograph and allograph, 29 leaves, 36 x 26 cm, unmarked white paper, and 1 manila file folder, 39 x 28 cm, pencil, colored felt-tip ink and some colored ballpoint ink on photocopy).

New York, Public Library, JPB 94-24 folder 142. Socrate (arrangement) (first movement, part for piano 2, draft, 7 pages on 6 leaves, 34 x 28 cm, 20-stave music paper, G. Schirmer Imperial Brand No. 19, pencil, some black India ink).

New York, Public Library, JPB 94-24 folder 143. Socrate (arrangement) (first movement, fair copy, autograph and allograph, 13 leaves, 36 x 28 cm, unmarked white paper, colored felt-tip ink, pencil, and colored pencil on photocopy).

New York, Public Library, JPB 94-24 folder 144. Socrate (arrangement) (second and third movement, fair copy, 29 leaves, 36 x 28 cm, 12-stave vellum music paper, Cameo Music Paper HO 5-3124, pencil, some red pencil).

New York, Public Library, JPB 94-24 folder 145. Socrate (arrangement) (instructions for copyist, 2 leaves [cards], 18 x 11 cm, heavy white paper, pencil).

New York, Public Library, JPB 94-24 folder 146. Dream (fair copy, 2 pages of music on 3 leaves, 28 x 22 cm, unmarked vellum paper, black India ink).

New York, Public Library, JPB 94-24 folder 147. Dream (composer’s copy, 2 pages of music on 2 leaves, unmarked white paper staple-bound with covers in 1 fascicle, 30 x 23 cm, emendations in pencil).

New York, Public Library, JPB 94-24 folder 148. Experiences No. 1 (draft [lacking measures 1-26], 6 leaves, 34 x 28 cm, 20-stave music paper, G. Schirmer Imperial Brand No. 19, pencil, some black India ink, dark blue ballpoint ink and black pastel crayon).

New York, Public Library, JPB 94-24 folder 149. Experiences No. 1 (draft, 4 leaves, 34 x 28 cm, 20-stave music paper, G. Schirmer Imperial Brand No. 19, black India ink, some pencil).

New York, Public Library, JPB 94-24 folder 150. Experiences No. 1 (fair copy, 4 leaves, 35 x 28 cm, unmarked vellum paper, black India ink, some colored pencil).

New York, Public Library, JPB 94-24 folder 151. Experiences No. 2 [contains notations relating to entrance of dancer and an Interlude (fragmentary) to be performed following the composition] (sketch and draft, 8 pages on 6 leaves, 4 leaves 34 x 28 cm, 20-stave music paper, G. Schirmer Imperial Brand No. 19, 2 leaves 35 x 28 cm, 14-stave music paper, Passantino Brands Symphony Size No. 14 - 14 Stave, dark blue India ink and pencil, additional notations in black India ink, pencil and light blue pencil, typescript and dark blue ballpoint ink).

New York, Public Library, JPB 94-24 folder 152. Experiences No. 2 (instructions for reproduction, autograph and allograph [unknown hand], 1 leaf, 7 x 22 cm [torn], unmarked white paper, typescript, pencil, blue pencil, and black ballpoint ink).

New York, Public Library, JPB 94-24 folder 153. Experiences No. 2 (composer’s copy, 4 leaves staple-bound in 1 fascicle, 38 x 29 cm, unmarked white paper, blue pencil on black photostat).

New York, Public Library, JPB 94-24 folder 154. Orestes (sketch, 2 pages on 2 leaves, unidentifiable music paper, 25 x 32 cm [torn], pencil, some black India ink).

New York, Public Library, JPB 94-24 folder 155. Suite for Toy Piano (fair copy, 20 leaves, 28 x 18 cm, vellum music paper, watermark Independent Music Publishers The Maestro Method, black India ink, annotations in pencil and colored [dark blue and light blue] pencil).

New York, Public Library, JPB 94-24 folder 156. Suite for Toy Piano (instructions for reproduction, 1 leaf, 28 x 22 cm, white paper, watermark Attorney Bond, typescript, signed in dark blue ballpoint ink).

New York, Public Library, JPB 94-24 folder 157. Suite for Toy Piano (photocopy of arrangement for orchestra by Lou Harrison, 25 pages, 38 cm).

New York, Public Library, JPB 94-24 folder 158. Works of Calder (notes [listing of shots, footage counts, and timings], allograph [or autograph?], 5 leaves, 32 x 21 cm, unmarked yellow ruled paper, dark blue India ink, annotations in red pencil).

New York, Public Library, JPB 94-24 folder 159. Works of Calder (draft [prepared piano sequences], autograph and allograph [Maro Ajemian’s hand?], 10 pages on 11 leaves, 32 x 24 cm, 10-stave music paper, G. Schirmer Imperial Brand No. 20, black India ink, emendations and annotations in pencil and red pencil).

New York, Public Library, JPB 94-24 folder 160. Works of Calder [includes notes and sketches concerning orchestration of Suite for Toy Piano by Lou Harrison] (instructions for performance [table of preparations], draft, and worksheet for magnetic tape sequences, 2 leaves, 34 x 27 cm, 24-stave music paper, G. Schirmer Royal Brand No. 61, pencil and light blue pencil).

New York, Public Library, JPB 94-24 folder 161. Works of Calder (instructions for reproduction, 1 leaf, 28 x 22 cm, white paper, watermark Attorney Bond, typescript).

New York, Public Library, JPB 94-24 folder 162. String Quartet in Four Parts (fair copy, incomplete [lacking p. 5 (instructions for performance)], 43 leaves, 28 x 20 cm, vellum music paper, watermark Independent Music Publishers The Maestro Method, black India ink, additional notations in pencil, colored [dark and light blue] pencil, various cut-outs, adhesive tape on several leaves).

New York, Public Library, JPB 94-24 folder 163. Six Melodies (fair copy, 22 leaves, 35 x 28 cm [some leaves cut to smaller sizes], vellum paper, watermark Independent Music Publishers The Maestro Method, black India ink, annotations in pencil).

New York, Public Library, JPB 94-24 folder 164. Six Melodies (instructions for reproduction, 1 leaf, 28 x 22 cm, white paper, watermark Attorney Bond, typescript, annotations in dark blue ballpoint ink).

New York, Public Library, JPB 94-24 folder 165. Concerto for Prepared Piano and Chamber Orchestra (instructions for reproduction, 1 leaf, 28 x 22 cm, white paper, watermark Attorney Bond, typescript).

New York, Public Library, JPB 94-24 folder 166. Haikus (sketches and draft [includes notations concerning other, unidentified compositions], autograph and allograph, 8 leaves and 1 folder, 4 leaves 35 x 28 cm, 14-stave music paper, Passantino Brands Symphony Size No. 14 - 14 Stave, 2 leaves 32 x 25 cm, 12-stave music paper, MM No. 4 - 12 Staves (Medium), 2 leaves 32 x 25 cm, 14-stave music paper, Passantino Brands No. 10 - 14 Stave, unmarked manila file folder, 30 x 23 cm, pencil, additional notations in colored ballpoint and black felt-tip ink, felt-tip).

New York, Public Library, JPB 94-24 folder 167. Sixteen Dances (piano reduction, sketch and draft, 28 leaves, 22 leaves 27 x 36 cm, 16-stave music paper, Passantino Brands No. 25 16-Stave oblong, 6 leaves 25 x 32 cm, 30-stave music paper, Passantino Brands No. 30 30-Stave narrow [torn in half], pencil, some colored pencil).

New York, Public Library, JPB 94-24 folder 168. Sixteen Dances (instructions for reproduction, 1 leaf, 28 x 22 cm, white paper, watermark Attorney Bond, typescript, additional notations in pencil).

New York, Public Library, JPB 94-24 folder 169. Seven Haiku (composer’s copy, 4 leaves in 1 fascicle with blue covers, 22 x 28 cm, ink, autograph corrections on title page, black and blue ink).

New York, Public Library, JPB 94-24 folder 170. Two Pastorales (composer’s copy [of First Pastorale], 12 pages on 8 leaves in 1 fascicle with blue covers, 33 x 25 cm, pencil).

New York, Public Library, JPB 94-24 folder 171. 4'33" (composer’s copy, 1 leaf, 31 x 22 cm, unmarked white paper, ink and some pencil on photostat copy).

New York, Public Library, JPB 94-24 folder 172. [Untitled, 1952 (Black Mountain Piece)] (part for slide projector, fair copy, 1 leaf, 22 x 28 cm, unmarked white paper, pencil).

New York, Public Library, JPB 94-24 folder 173. Imaginary Landscape No. 5 (fair copy, 8 leaves, 18 x 26 cm, 2 leaves unmarked vellum paper and 6 leaves unmarked orange graphed vellum paper, black India ink, emendations in colored pencil).

New York, Public Library, JPB 94-24 folder 174. Imaginary Landscape No. 5 (instructions for reproduction, 1 leaf, 28 x 22 cm, white paper, watermark Attorney Bond, typescript, annotations in pencil).

New York, Public Library, JPB 94-24 folder 175. Music for Carillon No. 1 (worksheets [templates], 11 leaves, white onion skin paper, watermark Esquire Onion Skin, 1 leaf 8 x 9 cm, 1 leaf 11 x 9 cm, 1 leaf 11 x 5 cm, 1 leaf 8 x 12 cm, 1 leaf 9 x 8 cm, 1 leaf 8 x 8 cm, 1 leaf 11 x 6 cm, 1 leaf 4 x 5 cm, 1 leaf 4 x 7 cm, 1 leaf 4 x 17 cm, 1 leaf 4 x 9 cm, various holes and pencil, in 1 envelope, 11 x 24 cm, unmarked white paper).

New York, Public Library, JPB 94-24 folder 176. Music for Carillon No. 1 (fair copy [graph version, contains notations concerning realizations for transcriptions for two- and three-octave instruments], 12 pages on 7 leaves, 6 leaves 22 x 28 cm, blue-graphed white graph paper, 1 leaf 21 x 28 cm, unmarked vellum paper, black India ink, emendations in pencil and dark blue colored pencil).

New York, Public Library, JPB 94-24 folder 177. Music for Carillon No. 1 (instructions for reproduction, 1 leaf, 28 x 22 cm, white paper, watermark Attorney Bond, typescript, colored ballpoint ink).

New York, Public Library, JPB 94-24 folder 178. Music for Carillon No. 1 (1961 revision of graph version, fair copy, 13 leaves, 21 x 28 cm, 1 leaf unmarked vellum paper, 12 leaves unmarked orange-graphed vellum paper, black India ink).

New York, Public Library, JPB 94-24 folder 179. Music for Carillon No. 1 (instructions for reproduction, 1 leaf, 28 x 22 cm, white paper, watermark Southworth Co. Four Star Bond, typescript, emendations in black India ink and pencil).

New York, Public Library, JPB 94-24 folder 180. Music for Carillon No. 1 (realization for a 3-octave instrument, fair copy, 6 leaves, 28 x 22 cm, vellum paper, Independent Music Publishers The Maestro Method, black India ink).

New York, Public Library, JPB 94-24 folder 181. Music for Carillon No. 1 (realization for a 2-octave instrument, composer’s copy, 4 leaves bound in 1 fascicle, 29 x 23 cm, unmarked white paper, photostat, emendations in colored pencil).

New York, Public Library, JPB 94-24 folder 182. Music for Carillon No. 1 (realization for a 2-octave instrument, fair copy, 5 leaves, 28 x 22 cm, unmarked vellum paper, black India ink, some pencil).

New York, Public Library, JPB 94-24 folder 183. Music for Carillon No. 1 (realization for a 3-octave instrument, composer’s copy, autograph and allograph, 4 leaves bound in 1 fascicle, 29 x 23 cm, unmarked white paper, photostat, emendations in colored pencil).

New York, Public Library, JPB 94-24 folder 184. Music for Piano 1 (fair copy, 7 pages on 6 leaves, 32 x 24 cm, 12-stave music paper, Passantino Brands No. 1 Medium, dark blue India ink, some pencil).

New York, Public Library, JPB 94-24 folder 185. Music for Piano 1 (fair copy, 9 leaves, 28 x 22 cm, vellum paper, watermark Independent Music Publishers The Maestro Method, black India ink).

New York, Public Library, JPB 94-24 folder 186. Waiting (fair copy, 2 leaves, 32 x 24 cm, vellum paper, watermark Independent Music Publishers The Maestro Method, black India ink).

New York, Public Library, JPB 94-24 folder 187. Waiting (instructions for reproduction, 1 leaf, 28 x 22 cm, white paper, watermark Attorney Bond, typescript, some black ballpoint ink).

New York, Public Library, JPB 94-24 folder 188. Williams Mix (worksheets [incomplete, lacking page 1], 12 leaves [numbered 2-13], 22 x 28 cm, unmarked white graph paper, pencil; corresponding to Pritchett 1988a, 316, JC/7-18).

New York, Public Library, JPB 94-24 folder 189. Empty.

New York, Public Library, JPB 94-24 folder 190. Williams Mix (fair copy, 193 leaves, 28 x 22 cm, 1 leaf white paper, watermark Usona Bond, 192 leaves unmarked white graph paper, typescript [title page], pencil, colored [mainly green] pencil and black India ink [on page 5, inked in for reproduction in Kostelanetz 1970d, 110]).

New York, Public Library, JPB 94-24 folder 191. Williams Mix (instructions for reproduction, 1 leaf, 28 x 22 cm, white paper, typescript).

New York, Public Library, JPB 94-24 folder 192. [Untitled] (program note on Williams Mix), 1952?] (draft, 1 leaf, 28 x 22 cm, onion skin white paper, typescript and pencil; corresponding to Pritchett 1988a, 316, JC/2).

New York, Public Library, JPB 94-24 folder 193. 26'1.1499" for a String Player and 59 1/2" for a String Player (notes, 5 leaves and 1 envelope, 5 leaves 28 x 22 cm, 2 leaves white paper, watermark Eaton’s Berkshire Corrasable Bond [1 leaf corresponding to Pritchett 1988a, 316, JC/20], 1 leaf white paper, watermark Esquire Bond [corresponding to Pritchett 1988a, 316, JC/19], 1 leaf unmarked white graph paper [corresponding to Pritchett 1988a, 316, JC/21], 1 leaf unmarked white paper, 1 envelope, 25 x 11 cm, white, ink, pencil, some black India ink).

New York, Public Library, JPB 94-24 folder 194. 26'1.1499" for a String Player [and worksheets concerning 59 1/2" for a String Player] (worksheets, autograph and allograph [David Tudor’s hand], 104 leaves [previously 105 leaves], 28 cm, 18 leaves white paper, 34 leaves yellow paper, 1 leaf white graph paper, 4 leaves white paper, 47 leaves onion skin white paper, 1 leaf 14 x 22 cm, canary ruled paper, pencil, typescript; corresponding to Pritchett 1988a, 316-318, JC/22, 25-27, 28-29, 30-33, 34-78, 79-105, 106-114, 115-116, 117-125, 126, 127, 128).

New York, Public Library, JPB 94-24 folder 195. 26'1.1499" for a String Player (instructions for copyist, 1 leaf, 28 x 22 cm, white paper, watermark Attorney Bond, light blue ballpoint ink; corresponding to Pritchett 1988a, 318, JC/129).

New York, Public Library, JPB 94-24 folder 196. 59 1/2" for a String Player (instructions for reproduction, 1 leaf, 20 x 22 cm, white paper, watermark Attorney Bond, typescript).

New York, Public Library, JPB 94-24 folder 197. Music for Piano 2 (fair copy, 4 leaves, 26 x 24 cm [cut], vellum paper, watermark Independent Music Publishers The Maestro Method, black India ink, annotations in pencil).

New York, Public Library, JPB 94-24 folder 198. Music for Piano 4-19 (fair copy, 16 leaves, 22 x 22 cm [cut], vellum paper, watermark Independent Music Publishers The Maestro Method, black India ink, annotations in pencil and black and red ballpoint ink).

New York, Public Library, JPB 94-24 folder 199. Music for Piano 4-19 (realization, draft, autograph and allograph, 4 leaves, 22 x 28 cm, 2 leaves onion skin white paper, watermark Eaton’s Berkshire Corrasable, 1 leaf white paper, watermark Eaton’s Stalwart Bond, 1 leaf unmarked yellow paper, pencil, some black India ink).

New York, Public Library, JPB 94-24 folder 200. Music for Piano 20 (instructions for reproduction, 1 leaf, 28 x 22 cm, white paper, watermark Southworth Co. Four Star Bond, typescript).

New York, Public Library, JPB 94-24 folder 201. 31'57.9864" for a Pianist and 34'46.776" for a Pianist (realization, notes, 1 leaf, 19 x 12 cm, heavy white paper, pencil).

New York, Public Library, JPB 94-24 folder 202. 34'46.776" for a Pianist (fair copy, 62 leaves, 36 x 28 cm, unmarked vellum paper, black India ink).

New York, Public Library, JPB 94-24 folder 203. Music for Carillon No. 2. Music for Carillon No. 3 (fair copy [copied from original score], 3 leaves, 31 x 25 cm, unmarked vellum paper, black India ink).

New York, Public Library, JPB 94-24 folder 204. Music for Carillon No. 3 (realization for a 2-octave instrument, instructions for reproduction, 1 leaf, 28 x 22 cm, white paper, watermark Esquire Bond, typescript).

New York, Public Library, JPB 94-24 folder 205. Music for Carillon No. 2 (realization for a two-octave instrument, fair copy, 2 leaves, 22 x 28 cm, unmarked vellum paper, black India ink).

New York, Public Library, JPB 94-24 folder 206. Music for Carillon No. 3 (realization for a two-octave instrument, fair copy, 2 leaves, 22 x 28 cm, unmarked vellum paper, black India ink, emendations in colored pencil).

New York, Public Library, JPB 94-24 folder 207. Music for Carillon No. 2. Music for Carillon No. 3 (instructions for reproduction, 1 leaf, 28 x 22 cm, white paper, watermark Esquire Bond, typescript, some colored pencil).

New York, Public Library, JPB 94-24 folder 208. Speech 1955 (parts, draft, 20 leaves, 25 x 19 cm, unmarked white ruled paper, pencil, some black and dark blue India ink).

New York, Public Library, JPB 94-24 folder 209. Speech 1955 (parts, fair copy, 18 leaves, 28 x 22 cm, unmarked vellum paper, typescript, some black India ink and colored pencil).

New York, Public Library, JPB 94-24 folder 210. Speech 1955 (instructions for reproduction, 1 leaf, 28 x 22 cm, unmarked white paper, typescript).

New York, Public Library, JPB 94-24 folder 211. 27'10.554" for a Percussionist (worksheets, 26 pages on 22 leaves, 28 x 22 cm, white paper, watermark Esquire Bond, pencil; corresponding to Pritchett 1988a, 318, JC/137-158).

New York, Public Library, JPB 94-24 folder 212. 27'10.554" for a Percussionist (worksheets and sketch of instructions for performance, 6 leaves, 3 leaves 28 x 22 cm, onion skin white paper, watermark Eaton’s Berkshire Corrasable, 3 leaves onion skin white paper, 3 leaves white paper, 1 leaf 28 x 22 cm, unmarked white paper [yellowed], 2 leaves 25 x 19 cm, white paper, Royal Writing, pencil).

New York, Public Library, JPB 94-24 folder 213. 27'10.554" for a Percussionist (instructions for reproduction, autograph and allograph [unidentified hand], 1 leaf, 28 x 22 cm, white paper, watermark Attorney Bond, typescript, colored ballpoint ink, and pencil).

New York, Public Library, JPB 94-24 folder 214. Music for Piano 53-68 (fair copy, autograph and allograph [page numbers added in an unknown hand], 18 leaves, 28 x 22 cm, unmarked vellum paper, black India ink, emendations in pencil and colored pencil).

New York, Public Library, JPB 94-24 folder 215. Music for Piano 69-84 (fair copy, autograph and allograph [page numbers added in an unknown hand], 18 leaves, 28 x 22 cm, unmarked vellum paper, black India ink).

New York, Public Library, JPB 94-24 folder 216. Radio Music (fair copy, 10 leaves, white paper and vellum paper, 8 leaves 28 x 22 cm, white paper, 7 leaves watermark Eaton’s Berkshire Corrasable Bond, 1 leaf watermark Permanized Plover Bond, 2 leaves 29 x 22 cm, unmarked vellum paper, typescript, some black India ink).

New York, Public Library, JPB 94-24 folder 217. Concert for Piano and Orchestra (worksheets [also includes sketches for Six Short Inventions (excerpts from inventions 4-6, upper parts, transposed a perfect fourth upwards) and draft of (Untitled), ca. 1957-1958, program notes], 93 leaves bound in notebook, 22 x 18 cm, Vanity Fair, America’s Biggest Paper Value Composition Book SC100, white ruled paper, pencil, some colored ballpoint ink and colored pencil).

New York, Public Library, JPB 94-24 folder 218. Concert for Piano and Orchestra (part for flute [pages 5-6, 9-10], draft, 2 leaves, 28 x 22 cm, white paper, watermark Eaton’s Berkshire Corrasable Bond, pencil).

New York, Public Library, JPB 94-24 folder 219. Concert for Piano and Orchestra (part for bassoon, draft, 2 leaves [incomplete], 28 x 22 cm, white paper, watermark Eagle-A Type-Erase, pencil, some colored pencil and black India ink).

New York, Public Library, JPB 94-24 folder 220. Concert for Piano and Orchestra (part for tuba, draft, 1 leaf [incomplete], 28 x 22 cm, white paper, watermark Eaton’s Berkshire Corrasable Bond, pencil).

New York, Public Library, JPB 94-24 folder 221. Concert for Piano and Orchestra (rejected part [unfinished] for clarinet [2] [doubling on bass clarinet], draft, 10 pages on 5 leaves, 28 x 22 cm, white paper, watermark Eaton’s Berkshire Corrasable Bond, pencil).

New York, Public Library, JPB 94-24 folder 222. Concert for Piano and Orchestra (rejected part [unfinished] for violin [4], draft, 4 leaves, 28 x 22 cm, white paper, watermark Eaton’s Berkshire Corrasable Bond, pencil).

New York, Public Library, JPB 94-24 folder 223. Concert for Piano and Orchestra (rejected part [unfinished] for violin [5], draft, 1 leaf, 28 x 22 cm, white paper, watermark Eaton’s Berkshire Corrasable Bond, pencil).

New York, Public Library, JPB 94-24 folder 224. Concert for Piano and Orchestra (rejected part [unfinished] for violin [6], draft, 8 leaves, 28 x 22 cm, white paper, watermark Macadam Bond, pencil).

New York, Public Library, JPB 94-24 folder 225. Concert for Piano and Orchestra (part for viola 2, composer’s copy, autograph and allograph, 10 leaves in 1 fascicle, 30 x 24 cm, unmarked white paper, staple-bound with brown covers, annotations in pencil).

New York, Public Library, JPB 94-24 folder 226. Concert for Piano and Orchestra (orchestral parts, fair copy, incomplete [lacking part for trumpets in E flat, F, D, C and B flat], 194 leaves, 28 x 22 cm, unmarked vellum paper, black India ink and typescript, some pencil, colored pencil and colored ballpoint ink).

New York, Public Library, JPB 94-24 folder 227. Concert for Piano and Orchestra (instructions for reproduction, incomplete [lacking solos for bassoon and trumpets], 10 leaves, 28 x 22 cm, white paper, watermark Attorney Bond, typescript, some colored ballpoint ink).

New York, Public Library, JPB 94-24 folder 228. Concert for Piano and Orchestra (part for conductor, realization [three versions], autograph and allograph, draft, 8 leaves, 2 leaves in 1 fascicle, 29 x 24 cm, unmarked white paper, staple-bound with brown covers, 6 leaves 28 x 22 cm, 2 leaves onion skin white paper, watermark Eaton’s Berkshire Corrasable [1 leaf torn], 1 leaf unmarked white paper, 3 leaves unmarked white graph paper, black India ink and pencil on photostat, typescript with annotations in colored pencil).

New York, Public Library, JPB 94-24 folder 229. Concert for Piano and Orchestra (part for conductor, realization, autograph and allograph, draft, 4 leaves, 2 leaves 32 x 21 cm, yellow paper, watermark Sphinx Legal Pad, 2 leaves in 1 fascicle [badly water-damaged], 29 x 24 cm, unmarked white paper, staple-bound with brown covers, pencil and typescript).

New York, Public Library, JPB 94-24 folder 230. Concert for Piano and Orchestra (part for conductor, realization, autograph and allograph [unknown hand], draft, 3 leaves, 1 leaf 32 x 23 cm, unmarked yellow paper, 2 leaves in 1 fascicle, 29 x 22 cm, unmarked white paper, staple-bound with brown covers, black India ink, blue ballpoint ink, and pencil).

New York, Public Library, JPB 94-24 folder 231. Concert for Piano and Orchestra (worksheets, 9 leaves, 2 leaves 28 x 22 cm, onion skin white paper, watermark Eaton’s Berkshire Corrasable, 3 leaves 28 x 22 cm, white paper, watermark Eaton’s Berkshire Corrasable Bond, 1 leaf 28 x 22 cm, white paper, watermark Attorney Bond, 1 leaf 28 x 22 cm, white paper, watermark Eagle-A Type-Erase, 1 leaf 28 x 22 cm, white paper, watermark Macadam Bond, 1 leaf 26 x 20 cm, unmarked white ruled paper, pencil, ink, some colored pencil).

New York, Public Library, JPB 94-24 folder 232. Aria (fair copy, 21 leaves, 18 x 26 cm, unmarked vellum paper, black India ink, some blue pencil).

New York, Public Library, JPB 94-24 folder 233. Aria (composer’s copy, autograph?, 21 pages on 12 leaves, staple-bound in 1 fascicle with green covers, 18 x 26 cm, unmarked white paper, colored felt-tip ink, some pencil and colored pencil).

New York, Public Library, JPB 94-24 folder 234. Fontana Mix (notes, 1 leaf, 30 x 21 cm, white paper, watermark Extra Strong, black India ink).

New York, Public Library, JPB 94-24 folder 235. Fontana Mix (photocopy of fair copy, 22 leaves).

New York, Public Library, JPB 94-24 folder 236. Fontana Mix (realization for tape, worksheets, 20 leaves bound in 1 notebook, 17 x 25 cm, white graph paper, ink, pencil, colored pencil).

New York, Public Library, JPB 94-24 folder 237. Fontana Mix (realization for tape, worksheets, 20 leaves bound in 1 notebook, 17 x 25 cm, white graph paper, ink).

New York, Public Library, JPB 94-24 folder 238. Fontana Mix (realization for tape, worksheets, 20 leaves bound in 1 notebook, 17 x 25 cm, white graph paper, ink).

New York, Public Library, JPB 94-24 folder 239. Fontana Mix (realization for tape, worksheets, 20 leaves bound in 1 notebook, 17 x 25 cm, white graph paper, ink, pencil, colored pencil).

New York, Public Library, JPB 94-24 folder 240. Fontana Mix (realization for tape, worksheets, 19 leaves bound in 1 notebook, 17 x 25 cm, white graph paper, ink).

New York, Public Library, JPB 94-24 folder 241. Fontana Mix (realization for tape, worksheets, 20 leaves bound in 1 notebook, 17 x 25 cm, white graph paper, ink, pencil, colored pencil).

New York, Public Library, JPB 94-24 folder 242. Fontana Mix (realization for tape, worksheets, 20 leaves bound in 1 notebook, 17 x 25 cm, white graph paper, ink).

New York, Public Library, JPB 94-24 folder 243. Fontana Mix (realization for tape, worksheets, 20 leaves bound in 1 notebook, 17 x 25 cm, white graph paper, ink).

New York, Public Library, JPB 94-24 folder 244. Fontana Mix (realization for tape, worksheets, 20 leaves bound in 1 notebook, 17 x 25 cm, white graph paper, ink).

New York, Public Library, JPB 94-24 folder 245. Fontana Mix (realization for tape, worksheet, 1 leaf, 22 x 28 cm, white graph paper, ink).

New York, Public Library, JPB 94-24 folder 246. Haiku (photocopy of fair copy).

New York, Public Library, JPB 94-24 folder 247. Six Short Inventions (fair copy, 9 leaves, 32 x 24 cm, unmarked vellum paper, black India ink, emendations in colored pencil).

New York, Public Library, JPB 94-24 folder 248. Six Short Inventions (parts, fair copy, 32 leaves, 28 x 22 cm, unmarked vellum paper, black India ink, emendations in colored pencil).

New York, Public Library, JPB 94-24 folder 249. Six Short Inventions (instructions for reproduction, 1 leaf, 28 x 22 cm, white paper, watermark Attorney Bond, typescript).

New York, Public Library, JPB 94-24 folder 250. Solo for Voice 1 (worksheets, 2 leaves, 28 cm, vellum music paper, ink, pencil).

New York, Public Library, JPB 94-24 folder 251. Solo for Voice 1 (fair copy including rejected leaf, 5 leaves, unmarked [yellowed] vellum paper, 28 x 22 cm, vellum paper, black India ink and typescript, some pencil and colored pencil).

New York, Public Library, JPB 94-24 folder 252. TV Köln (fair copy, 3 leaves, 28 x 22 cm, unmarked vellum paper, black India ink, emendations in pencil).

New York, Public Library, JPB 94-24 folder 253. TV Köln (instructions for reproduction, autograph and allograph, 1 leaf, 28 x 22 cm, white paper, watermark Attorney Bond, typescript, annotations [unknown hand] in pencil).

New York, Public Library, JPB 94-24 folder 254. Variations I (fair copy [including “Extra Materials”], 9 leaves, 2 leaves 28 x 22 cm, unmarked vellum paper, 7 leaves acetates [yellowed], 6 leaves 21 x 21 cm, 1 leaf 18 x 27 cm, black India ink).

New York, Public Library, JPB 94-24 folder 255. Sounds of Venice (worksheet, 1 leaf, 14 x 12 cm [not even; torn], unmarked grey-graphed white paper, pencil, emendations in black India ink).

New York, Public Library, JPB 94-24 folder 256. Sounds of Venice (draft, 5 leaves, unmarked white paper, 2 leaves 30 x 21 cm, 3 leaves 15 x 10 cm, black India ink, some pencil).

New York, Public Library, JPB 94-24 folder 257. Water Walk (sketches and draft, 13 leaves bound in 1 notebook, 17 x 25 cm, Raffaello, staple-bound with covers, unmarked white graph paper, black India ink, pencil).

New York, Public Library, JPB 94-24 folder 258. Water Walk (instructions for performance, draft, 1 envelope, 12 x 16 cm, white, Max Krause, black India ink, some green India ink and rubber stamp ink).

New York, Public Library, JPB 94-24 folder 259. Water Walk (fair copy, 7 leaves, 22 x 28 cm, unmarked vellum paper, black India ink and typescript, some pencil).

New York, Public Library, JPB 94-24 folder 260. Water Walk (instructions for reproduction, 1 leaf, 28 x 22 cm, unmarked pink paper, typescript and red ballpoint ink).

New York, Public Library, JPB 94-24 folder 261. Variations V (realization, notes, 5 leaves, 32 x 21 and smaller, pencil and ink).

New York, Public Library, JPB 94-24 folder 262. Cartridge Music (fair copy, 27 leaves, 29 cm and smaller, vellum paper and acetates, ink, typescript, colored pencil).

New York, Public Library, JPB 94-24 folder 263. Cartridge Music (instructions for reproduction, autograph and allograph, 1 leaf, 28 cm, white paper, typescript, ink).

New York, Public Library, JPB 94-24 folder 264. Cartridge Music (realization, worksheets, 6 leaves, 28 cm, 4 leaves white onion skin paper, 1 leaf vellum paper, 1 leaf white paper, pencil).

New York, Public Library, JPB 94-24 folder 265. Cartridge Music (realization, draft, 10 leaves, 8 x 21 cm, white graph paper, ink, pencil, colored pencil).

New York, Public Library, JPB 94-24 folder 266. Cartridge Music (realization, draft, 3 leaves, 28 cm, white ruled paper, felt-tip, ink).

New York, Public Library, JPB 94-24 folder 267. Music for Amplified Toy Pianos (fair copy, 9 leaves, 7 leaves 28 x 22 cm, 2 leaves unmarked vellum paper, 5 leaves acetates, 1 leaf 29 x 2 cm, unmarked vellum paper, 1 leaf 27 x 17 cm, acetate, black India ink).

New York, Public Library, JPB 94-24 folder 268. Music for The Marrying Maiden (realization, worksheet, 1 leaf, 28 x 22 cm, unmarked white paper, black India ink, some pencil and orange crayon).

New York, Public Library, JPB 94-24 folder 269. Solo for Voice 2 (fair copy, 8 leaves, 28 cm, vellum paper and acetates, ink, typescript).

New York, Public Library, JPB 94-24 folder 270. Solo for Voice 2 (instructions for copyist, 1 leaf, 22 cm, white paper, typescript, pencil).

New York, Public Library, JPB 94-24 folder 271. Theatre Piece (worksheets [for parts I-V], 50 leaves and 1 envelope, 10 leaves 28 x 22 cm, white paper, watermark Esquire Bond, 40 leaves 18 x 16 cm, unmarked white paper, envelope 31 x 23 cm, unmarked white, pencil).

New York, Public Library, JPB 94-24 folder 272. Theatre Piece (fair copy, incomplete [title page of part I lacking], 151 leaves, 28 x 22 cm, unmarked vellum paper, mainly black India ink, some pencil and colored pencil).

New York, Public Library, JPB 94-24 folder 273. Theatre Piece (instructions for performance and diagram, fair copy, 2 leaves, 1 leaf 28 x 22 cm, paper, 1 acetate, 12 x 27 cm, typescript).

New York, Public Library, JPB 94-24 folder 274. WBAI (fair copy, 22 leaves, 21 leaves 22 x 28 cm, unmarked vellum paper, 1 leaf 8 x 24 cm, unmarked acetate, black India ink).

New York, Public Library, JPB 94-24 folder 275. Music for Carillon No. 4 (three-octave realization, instructions for copyist, 1 leaf, 28 x 22 cm, vellum paper, watermark Millers Halls Ezerase, typescript, black India ink).

New York, Public Library, JPB 94-24 folder 276. Variations II (fair copy, 4 leaves, 2 leaves 28 x 22 cm, unmarked vellum paper, 2 leaves acetates, 1 leaf 10 x 10 cm, 1 leaf 10 x 20 cm, black India ink).

New York, Public Library, JPB 94-24 folder 277. Variations II (instructions for reproduction, 1 leaf, 28 x 22 cm, white paper, watermark Southworth Co. Four Star Bond, typescript).

New York, Public Library, JPB 94-24 folder 278. Variations II (realization, worksheets, 2 leaves, 19 x 26 cm, white paper with green grid, marked Asahi Shimbun Sha [in Japanese], pencil).

New York, Public Library, JPB 94-24 folder 279. Atlas Eclipticalis [contains notations possibly relating to other compositions] (notes and worksheets, autograph and allograph, 131 pages on 77 leaves, 2 leaves 28 x 43 cm, unmarked vellum paper, 14 leaves 28 x 22 cm, 10 leaves unmarked yellow paper, 2 leaves unmarked white paper [versos of used photocopies], 1 leaf white paper, watermark Eaton’s Stalwart Bond, 1 leaf white paper, watermark Strathmore Bond Opaque, and 61 leaves spiral-bound in 1 notebook, 23 x 15 cm, The National Note Book 36-746, green ruled paper with green covers, pencil, some blue and purple pencil, colored ballpoint ink, black felt-tip ink, black India ink).

New York, Public Library, JPB 94-24 folder 280 and 284. Atlas Eclipticalis (worksheets, 310 pages on 304 leaves, 28 x 22 cm, 235 leaves unmarked yellow paper, 68 leaves unmarked white paper [versos of used photocopies], 1 leaf white paper, watermark Eaton’s Berkshire Eminence Bond, pencil, some colored pencil and black India ink).

New York, Public Library, JPB 94-24 folder 281. Atlas Eclipticalis (instructions for performance, incomplete [first violins, contrabasses, timpani, percussion and harps 1 and 2 only], fair copy, 5 leaves, 28 x 22 cm, white paper, watermark Permanized Plover Bond, typescript).

New York, Public Library, JPB 94-24 folder 283. Atlas Eclipticalis (instructions for reproduction, 86 leaves, 28 x 22 cm, white paper, 29 leaves watermark Eaton’s Berkshire Corrasable, 29 leaves watermark Esquire Bond, 19 leaves watermark Southworth Co. Four Star Bond, 8 leaves watermark Millers Halls Ezerase, 1 leaf unmarked, typescript, pencil and red ballpoint ink).

New York, Public Library, JPB 94-24 folder 284. See folder 280.

New York, Public Library, JPB 94-24 folder 285. 0'00" (drafts and fair copy, 6 leaves, 2 leaves 21 x 13 cm, unmarked white paper, 1 leaf 27 x 21 cm, unmarked white ruled paper with rounded edges, 1 leaf 22 x 15 cm, unmarked green ruled paper, 1 leaf 18 x 26 cm, white paper with green grid, Asahi Shimbun Sha, India ink, pencil and colored [lavender] pencil [drafts]; 1 leaf 28 x 22 cm, unmarked vellum paper, black India ink [fair copy]).

New York, Public Library, JPB 94-24 folder 286. Music for Piano 85 (composer’s copy, 2 leaves, 19 x 26 cm, photograph paper, colored felt-tip on photograph).

New York, Public Library, JPB 94-24 folder 287. Variations III (draft, 1 leaf, 37 x 28 cm, unmarked vellum paper, black India ink).

New York, Public Library, JPB 94-24 folder 288. Variations III (fair copy, 4 leaves, 28 x 22 cm, 2 leaves unmarked vellum paper, 2 leaves acetates, black India ink).

New York, Public Library, JPB 94-24 folder 289. Variations III (realization [for first performance on January 21, 1963], notes, 1 folder and 4 pages on 3 leaves, folder 30 x 23 cm, unmarked manila file folder, 1 leaf 30 x 21 cm, unmarked white paper, 2 leaves 32 x 21 cm, unmarked yellow ruled paper, typescript, some pencil).

New York, Public Library, JPB 94-24 folder 290. Variations IV (fair copy, 4 leaves, 3 leaves 28 x 18 cm, unmarked vellum paper, 1 leaf 26 x 17 cm, acetate, black India ink.

New York, Public Library, JPB 94-24 folder 291. Rozart Mix (fair copy, autograph and allograph [Alvin Lucier’s hand], 6 leaves, 28 x 22 cm, 4 leaves white paper, 1 leaf unmarked, 1 leaf watermark Eaton’s Berkshire Corrasable Bond, 2 leaves watermark Hammermill Cockletone, 2 leaves cream paper, watermark Strathmore Writing, typescript, black India ink, black and dark blue ballpoint ink).

New York, Public Library, JPB 94-24 folder 292. Variations V [contains notations possibly relating to other compositions] (draft, 31 pages on 80 leaves spiral-bound in notebook, 23 x 15 cm, Regency Stenographer’s Note Book, unmarked white ruled paper with yellow plus dark blue and brown covers, blue ballpoint ink, black India ink and some pencil).

New York, Public Library, JPB 94-24 folder 293. Variations V (fair copy, 5 leaves, 28 x 18 cm, unmarked vellum paper, black India ink).

New York, Public Library, JPB 94-24 folder 294***. Variations V (realization, notes, 5 leaves, 4 leaves 32 cm, yellow ruled paper, 1 leaf 23 cm, white ruled paper, ink, pencil, felt-tip).

New York, Public Library, JPB 94-24 folder 294***. Cartridge Music (realization, fair copy, 3 leaves, 13 x 21 cm, white ruled index card, ink, colored pencil).

New York, Public Library, JPB 94-24 folder 295. Variations VII.

New York, Public Library, JPB 94-24 folder 296. Variations VII.

New York, Public Library, JPB 94-24 folder 297. Variations VII (realization, notes, 4 leaves, 1 folio 22 x 15 cm [not even], unmarked white paper, 1 leaf 27 x 21 cm, unmarked yellow ruled paper, 1 leaf 36 x 22 cm, white paper, watermark Atlantic Mimeo Bond 20, 1 leaf 23 x 15 cm, unmarked white ruled paper, black and colored ballpoint ink, colored felt-tip ink, typescript, pencil).

New York, Public Library, JPB 94-24 folder 298. Music for Carillon No. 5 (instructions for performance, fair copy, 1 leaf, 18 x 28 cm, unmarked vellum paper, black India ink).

New York, Public Library, JPB 94-24 folder 299. Musicircus [contains notations possibly relating to other compositions] (realization, notes, autograph and allograph, 5 pages on 3 leaves, 2 leaves 28 x 22 cm, 1 leaf unmarked blue-graphed white paper, 1 leaf unmarked yellow ruled paper, 1 leaf 23 x 15 cm, unmarked white ruled paper, blue ballpoint ink, some black ballpoint ink).

New York, Public Library, JPB 94-24 folder 300. HPSCHD (models used [Vincenzo Bellini, Norma, Overture, piano reduction, and Wolfgang Amadeus Mozart (ascribed), Musikalische Würfelspiele, Köchel Anhang C 30.01], allograph [unknown hand], 16 leaves, 8 leaves 25 x 36 cm, unmarked white paper, 8 leaves 28 x 22 cm, white paper, Dependo Xerographic Copy, black India ink and pencil on photocopy).

New York, Public Library, JPB 94-24 folder 301. HPSCHD (notes, autograph and allograph [possibly Lejaren Hiller’s hand], 22 leaves, 19 leaves 28 x 22 cm, 1 leaf white paper, watermark Eaton’s Berkshire Bond, 3 leaves unmarked vellum paper, 9 leaves blue-graphed white paper, 1 leaf unmarked white paper, 5 leaves unmarked yellow paper, 1 leaf 9 x 19 cm, punch card, IBM Share 709 Symbolic Card C 50859, 2 leaves 28 x 38 cm, white ruled computer form-feed paper, Reddi Speed Recording & Statistical Company, black and colored ballpoint ink, some colored felt-tip ink, pencil, and typescript).

New York, Public Library, JPB 94-24 folder 302. HPSCHD (notes and worksheets, autograph and allograph, 67 leaves, 16 leaves unmarked white paper, 15 leaves 28 x 22 cm, 1 leaf 27 x 52 cm, 23 pages on 51 leaves spiral-bound in notebook, 23 x 15 cm, A Plus Stenographer’s Note Book, white ruled paper with brown and green covers, photocopy and colored ballpoint ink).

New York, Public Library, JPB 94-24 folder 303. HPSCHD (parts for tape, worksheets, autograph and allograph, 27 pages on 58 leaves, 1 leaf 15 x 10 cm, unmarked white paper, 57 leaves bound in notebook [some loose], 20 x 13 cm, Vernon Royal Line S-1810-N-72 Lvs. University Note Book, white ruled paper, colored ballpoint ink, some colored felt-tip ink).

New York, Public Library, JPB 94-24 folder 304. HPSCHD (worksheets, autograph and allograph [possibly Lejaren Hiller’s hand], 87 leaves, 41 leaves 32 x 25 cm, 14-stave plain vellum music paper, Independent Music Publishers Maestro No. 121, vellum music paper, 46 leaves 28 x 22 cm, white paper, Dependo Xerographic Copy, red ballpoint ink on photocopy and black India ink, some pencil and colored pencil).

New York, Public Library, JPB 94-24 folder 305. Cheap Imitation (piano) (sketch, 2 pages on 1 leaf, 32 x 24 cm, music paper, Hollywood Music Paper HO 5-3124, black India ink, some colored ballpoint ink).

New York, Public Library, JPB 94-24 folder 306. Cheap Imitation [orchestra] (sketches, on composer’s copy of piano version, 10 leaves staple-bound in 1 fascicle, 33 x 26 cm, unmarked white paper, red pencil, black and blue ballpoint ink on photostat).

New York, Public Library, JPB 94-24 folder 307. Song Books.

New York, Public Library, JPB 94-24 folder 308. Song Books (draft, 14 leaves bound in notebook, 18 x 22 cm, mainly ink).

New York, Public Library, JPB 94-24 folder 309. Song Books (worksheets, autograph and allograph, 32 leaves bound in notebook, 23 cm, white ruled paper).

New York, Public Library, JPB 94-24 folder 310. Song Books (sketches, 14 leaves, 32 cm, music paper, ink, colored pencil).

New York, Public Library, JPB 94-24 folder 311. Song Books (draft, 28 leaves, 32 cm and smaller, vellum paper and music paper, ink, colored pencil).

New York, Public Library, JPB 94-24 folder 312-313. Song Books (fair copy, autograph and allograph, 322 leaves, 23 x 31 cm, vellum paper, ink, typescript, pencil, colored pencil, letraset, photocopy).

New York, Public Library, JPB 94-24 folder 314. Song Books (rejected title pages, 27 leaves, 25 leaves 23 x 31 cm, vellum paper, 2 leaves 28 cm, white paper, typescript, ink).

New York, Public Library, JPB 94-24 folder 316. Song Books (worksheets, 66 leaves in notebook [stenographer’s pad], 23 cm, white ruled paper).

New York, Public Library, JPB 94-24 folder 317. Song Books (worksheets, 3 leaves, 25 cm, white graph paper, ink).

New York, Public Library, JPB 94-24 folder 318. Song Books (draft and fair copy, autograph and allograph, 17 leaves, 23 x 31 cm and smaller, vellum paper, acetate, white paper, ink, typescript, ink).

New York, Public Library, JPB 94-24 folder 319-320. Song Books (worksheets, 103 leaves bound in 2 notebooks, 23 cm, white ruled paper, ink, felt-tip, colored pencil, letraset).

New York, Public Library, JPB 94-24 folder 321. Cheap Imitation (orchestra) (worksheets [ranges and possible instrumentation for each phrase], 59 leaves on 32 leaves spiral-bound in notebook [now loose], 18 x 21 cm, National Music Notebook 31-005,