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Kostelanetz, Richard 1970b, ed. Imaged Words and Worded Images. New York: Outerbridge and Dienstfrey.

Kostelanetz, Richard 1970c. “Introduction.” In Kostelanetz 1970d, 3-5; German as “Einleitung.” In Kostelanetz 1970d/1973, 24-26; Spanish as “Introducción.” In Kostelanetz 1973, 5-9.

Kostelanetz, Richard 1970d, ed. John Cage. New York [etc.]: Praeger (Documentary Monographs in Modern Art); repr. New York: RK Editions, 1974; repr. Harmondsworth: Penguin Books, 1970; repr. London: Allen Lane, 1971; repr. 1974; repr. as John Cage: An Anthology. New York: Da Capo Press, 1991 (A Da Capo Paperback); German trans. Iris Schnebel, Hans Rudolf Zeller. Köln: M. DuMont Schauberg, 1973 (DuMont Dokumente) (reviews: Amirkhanian 1971; Anuario interamericano 1971; Battye 1971; Beck, R.T. 1973b; Blasl 1976; Briner 1973; Brinkmann 1976; Chase, G. 1972; Choice 1971; Cox 1971; Dickinson 1971; Harrison, M. 1972; Hastings 1971; Hifi-Stereophonie 1974; Holmes 1981a; Instrumentalist 1971; Jazz Journal 1971; KHR 1973; Krellmann 1973b; Krellmann 1973c; M.R. 1973; McLean 1971; Mellers 1971; Music and Musicians 1972; Music Educators Journal 1972; Musical Events 1971; National Observer 1971; Neuer Bücherdienst 1973; Opernwelt 1973; Pauli 1973; Rizzardi 1992b; Saturday Review 1971; Schweizer 1974; Stockhausen 1974; Times Literary Supplement 1972).

Kostelanetz, Richard 1970e. “Preface.” In Kostelanetz 1970d, xv-xvi; German as “Vorwort.” In Kostelanetz 1970d/1973, 19-20.

Kostelanetz, Richard 1971, ed. Human Alternatives: Visions for Us Now. New York: William Morrow & Co (review: Kirkus Reviews 1971).

Kostelanetz, Richard 1973. Entrevista a John Cage. Trans. José Manuel Álvarez and Ángela Pérez. Barcelona: Anagrama (Cuadernos Anagrama; 60).

Kostelanetz, Richard 1975. “Language and Structure.” Journal of the Los Angeles Institute of Contemporary Art 6 (June-July), 12-14.

Kostelanetz, Richard 1978a. “An ABC of Contemporary Reading.” In Kostelanetz 1978c, 339-376.

Kostelanetz, Richard 1978b. “Contemporary American Esthetics.” In Kostelanetz 1978c, 19-35.

Kostelanetz, Richard 1978c, ed. Esthetics Contemporary. Buffalo, New York: Prometheus Books.

Kostelanetz, Richard 1979. “Master of Several Arts.” Review of Cage 1978i, Cage 1978j, and Cage 1979c. New York Times Book Review (2 December), Section 7, 48-49; repr. in Kostelanetz 1981a; repr. as “Polyartist’s Poetry.” In Kostelanetz 1997f, 157-162.

Kostelanetz, Richard 1980a. “Cage History.” SoHo Weekly News [New York] 7, no. 18 (31 January-6 February).

Kostelanetz, Richard 1980b, ed. Text-Sound Texts. New York: William Morrow & Co.

Kostelanetz, Richard 1981a. The Old Poetries and the New. Ann Arbor [etc.]: University of Michigan Press.

Kostelanetz, Richard 1981b. “The Special Sound of German Radio.” New York Times (13 December).

Kostelanetz, Richard 1982a. “The Avant-Garde Establishment: Cunningham Revisited.” Dance Magazine 56, no. 7 (July), 56-59.

Kostelanetz, Richard 1982b, ed. The Avant-Garde Tradition in Literature. Buffalo, New York: Prometheus Books.

Kostelanetz, Richard 1983. American Imaginations: Charles Ives, Gertrude Stein, John Cage, Merce Cunningham, Robert Wilson. Trans. Almuth Carstens. Berlin: Merve (Internationaler Merve-Diskurs; 111) (review: Tefelski 1983).

Kostelanetz, Richard 1986a. “Cunningham/Cage.” In Next Wave Festival 1986. Ed. by Douglas W. Allan. New York: Brooklyn Academy of Music, 50-57; repr. Composer! 1, no. 3 (Spring 1987), 3-6; repr. in Kostelanetz 1989e, 77-83; repr. in Kostelanetz 1996f, 25-33; repr. in Kostelanetz 1997f, 263-272.

Kostelanetz, Richard 1986b. “Expanded ‘Writing’ in Nontraditional Media: An Art Autobiography.” Leonardo 19, no. 4 (Fall), 277-284.

Kostelanetz, Richard 1987a, ed. “The Aesthetics of John Cage: A Composite Interview.” Kenyon Review [Gambier, Ohio] new series 9, no. 4 (Fall), 102-130.

Kostelanetz, Richard 1987b, ed. “His Own Music (Part I: To 1970): Ur-Conversation with John Cage Produced by Richard Kostelanetz [annotated by John Cage].” Perspectives of New Music 25, no. 1-2 (Winter-Summer), 88-106.

Kostelanetz, Richard 1987c, ed. “John Cage.” High Performance 10, no. 2 <no. 38> (1987), 20-29.

Kostelanetz, Richard 1987d. [Title unknown]. New York Times (1987); repr. as “John Cage as a ‘Hörspielmacher’.” Journal of Musicology 8 (1990), 291-299; repr. in Kostelanetz 1993f, 213-221; repr. as “Roaratorio: John Cage as a Radio Artist.” In Kostelanetz 1996f, 150-157; John Cage as a Radio Artist.” In Kostelanetz 1997f, 181-193; French as “John Cage en tant que ‘Hörspielmacher’.” Trans. Josseline Revel-Mouroz. In Charles 1987-1988, 273-277.

Kostelanetz, Richard 1988a. “Anarchy in the USA: The Politics and Principles of John Cage.” Boston Phoenix (1988), Section 3; German as “John Cage: Seine Prinzipien und Politik.” Trans. Peter Peterson. Trafik [Mülheim] 10, no. 34 (August 1991), 57-60; Italian as “Il ribelle John Cage.” Trans. Silvia Colombo. Musica/Realtą [Lucca] 23, no. 69 (November 2002), 161-170.

Kostelanetz, Richard 1988b, ed. Conversing with Cage. New York: Limelight Editions; repr. London [etc.]: Omnibus Press, 1989 (A Division of Book Sales); 2nd ed. New York: Routledge, 2003; French excerpt (“Precursors”) as “Mozart, Satie, Schoenberg…” Trans. Marc Dachy. L’Infini [Paris] no. 66 (Summer 1999), 20-40; French (full text) as Conversations avec John Cage. Trans. Marc Dachy, in collaboration with Monique Fong, Marianne Guénot-Hovnaian. Paris: Editions des Syrtes, 2000; German as John Cage im Gespräch: zu Musik, Kunst und geistigen Fragen unserer Zeit. Trans. Almuth Carstens and Birger Ollrogge. Köln: DuMont, 1989 (DuMont-Taschenbücher; 226) (reviews: Briner 1989; Brooks, W. 1989b; Central Opera Service Bulletin 1988; Dy 1989; E.D. 1989; Ehrler 1990; Gann 1988c; Gollasch 1989; Musical America 1988b; Nicholls 1990b; Ovation 1988; Rizzardi 1992b; Roads 1988; Wolkenkratzer 1989).

Kostelanetz, Richard 1988c, ed. “From Conversing with Cage: Autobiography.” Chicago Review 36 (Fall), 37-51.

Kostelanetz, Richard 1988d, ed. “His Own Music: Part Two: Ur-Conversation with John Cage.” Perspectives of New Music 26, no. 1 (Winter), 26-49.

Kostelanetz, Richard 1988e. “John Cage’s First Opera, Written by the Numbers.” New York Times (10 July), Sunday Arts & Leisure, 25, 30; repr. as “John Cage, 75, Writes First ‘Great American’ Opera.” New Art Examiner [Chicago, Illinois] 16 (December 1988); expanded repr. Northwest Review [Eugene, Oregon] 27, no. 2 (1989), 127-136; repr. in Kostelanetz 1989e, 67-76; repr. as “Europera: Before and After.” In Kostelanetz 1996f, 133-145; repr. in Kostelanetz 1997f, 91-105; Portuguese as “Estreia a opera de John Cage.” O Globo [Rio de Janeiro] (14 July 1988).

Kostelanetz, Richard 1988f. “Preface.” In Kostelanetz 1988b, ix-x; repr. included in Kostelanetz 1997e.

Kostelanetz, Richard 1989a. “‘Avant-garde’.” Avantgarde [Amsterdam] no. 3, 109-112.

Kostelanetz, Richard 1989b. “Cage’s Early Piano Music.” In Kostelanetz 1989e, 37-41; repr. in Richard Kostelanetz, Twenties in the Sixties: Previously Uncollected Critical Essays. Westport, Connecticut: Greenwood Press, 1979; repr. in Kostelanetz 1996f, 51-54; repr. in Kostelanetz 1997f, 51-56.

Kostelanetz, Richard 1989c. “German Radio Goes American.” The World and I (October), 240-245.

Kostelanetz, Richard 1989d. “The Keystone of the Cagean Canon.” In Kostelanetz 1989e, 43-45; repr. as “Sonatas and Interludes.” In Kostelanetz 1996f, 55-57; repr. as “The Keystone of the Cagean Canon.” In Kostelanetz 1997f, 57-60.

Kostelanetz, Richard 1989e. On Innovative Music(ian)s. New York: Limelight (reviews: Dalton 1990; Gann 1990b; Oja 1991a).

Kostelanetz, Richard 1990a. “The Anarchist Art of the Polyartist.” In City Lights Review no. 4 (1990); repr. in Kostelanetz 1997f, 256-263.

Kostelanetz, Richard 1990b, ed. “John Cage on Radio and Audio Tape.” In Lander and Lexier 1990, 289-300; Spanish as John Cage en radio y cinta. Cuenca: Ediciones Radio Fontana Mix, 1994.

Kostelanetz, Richard 1990c. “A Modern Master’s PoŹme ConcrŹte.” Review of Cage 1990f. Journal of Art (December); repr. Notes 2nd series, 47, no. 4 (June 1991), 1144-1146; repr. as “John Cage’s Longest and Best Poem.” In Kostelanetz 1993f, 297-300; repr. as “I-VI.” In Kostelanetz 1996f, 146-149; repr. as “John Cage’s Longest and Best Poem.” In Kostelanetz 1997f, 175-178; German as “Wie ein Stück Musik: zu Cages neuester Dichtung.” Trans. Barbara Basting. Du [Zürich] no. 5 (May 1991), 75.

Kostelanetz, Richard 1991. “The Development of His Visual Art.” Boulevard [New York] 5-6; repr. Musicworks no. 52 (Spring 1992), 40-42; repr. in Kostelanetz 1993f, 323-326; rev. repr. as “Not Wanting to Say Anything about Marcel.” In Kostelanetz 1996f, 105-109; repr. in Kostelanetz 1997f, 229-233; Italian as “Lo sviluppo della sua arte visiva.” In Costa, L. et al. 1993, 771-773.

Kostelanetz, Richard 1992a. “Indeterminacy Then and Now.” American Book Review (1992); repr. as “Indeterminacy.” In Kostelanetz 1996f, 79-82; repr. as “Indeterminacy Then and Now.” In Kostelanetz 1997f, 131-136.

Kostelanetz, Richard 1992b. “John Cage, Inventor.” Liberty 6, no. 2 (November); repr. Anarchy [Columbia, Missouri] 12, no. 1 (Winter 1993); repr. in Richard Kostelanetz, A Dictionary of the Avant-Gardes. Chicago: Chicago Review Press, 1993; repr. as The Dictionary of the Avant-Gardes. Pennington, New Jersey: A Cappella Books; repr. in Kostelanetz 1996f, 3-6; Kostelanetz 1997f, 3-7.

Kostelanetz, Richard 1992c. “Not Wanting to Say Anything New about John Cage.” Hybrid 1, no. 1 (1992); repr. in Kostelanetz 1997f, 27-47.

Kostelanetz, Richard 1993a. “Beginning with Cage.” In Kostelanetz 1993f, 8-12; German as “John Cage: Eine Einführung.” In Kostelanetz 1983, 45-51.

Kostelanetz, Richard 1993b. “Not Wanting to Say Anything about John Cage (1912-1992).” Chicago Review 38, no. 4, 169-179.

Kostelanetz, Richard 1993c. “Preface.” In Cage 1993d, xiii; repr. included in Kostelanetz 1997e.

Kostelanetz, Richard 1993d. “Preface.” In Kostelanetz 1993f, ix-xi; repr. included in Kostelanetz 1997e.

Kostelanetz, Richard 1993e. “A Riot of Errors.” Review of Revill 1992. Ballet Review [New York] 21, no. 1 (Spring), 9-10; repr. Notes 2nd series, 49, no. 4 (June 1993), 1492-1494; repr. in Kostelanetz 1997f, 289-292.

Kostelanetz, Richard 1993f, ed. Writings about John Cage. Ann Arbor: University of Michigan Press.

Kostelanetz, Richard 1994a. “Cagean Performances.” In Kostelanetz 1994ON; repr. in Kostelanetz 1997f, 105-110.

Kostelanetz, Richard 1994b. “A Note on Marjorie Perloff’s Cage Criticism.” Review of Perloff, M. 1991. Disturbed Guillotine [Minneapolis, Minnesota] no. 1 (1994), 10-11; repr. in Kostelanetz 1997f, 299-301.

Kostelanetz, Richard 1994c. On Innovative Performance(s): Three Decades of Reflections on Alternative Theater. Jefferson, North Carolina: McFarland.

Kostelanetz, Richard 1994d. “Recent Thoughts about John Cage.” Musicworks no. 59 (Summer), 50; repr. in Kostelanetz 1997f, 281-285.

Kostelanetz, Richard 1995a. Review of Boulez/Cage 1990. American Book Review (1995); repr. in Kostelanetz 1997f, 292-297.

Kostelanetz, Richard 1995b. “The Song Books Score: A Neglected Cagean Masterpiece.” Arshile [Los Angeles, California] no. 4 (1995), 14-18; repr. in Kostelanetz 1996f, 110-114; repr. in Kostelanetz 1997f, 297-240.

Kostelanetz, Richard 1996a. “Anarchist Art.” In Reinventing Anarchy, Again. Ed. by Howard J. Erlich. Edinburgh, Scotland: AK Press, 293+.

Kostelanetz, Richard 1996b. “Homosexuality.” In Kostelanetz 1996f, 167-169; repr. as “John Cage and Homosexuality.” In Kostelanetz 1997f, 297-299.

Kostelanetz, Richard 1996c. “The John Cage Disco-Bibliography.” Musical Opinion 118 (Spring), 18-19; repr. in Kostelanetz 1996f, 175-179.

Kostelanetz, Richard 1996d. “John Cage, Polyartist.” In Kostelanetz 1996f, 34-46.

Kostelanetz, Richard 1996e. “I Saw John Cage at the Millrose Games.” In Kostelanetz 1996f, 170-173; repr. as “The Millrose Games at Madison Square Garden.” In Kostelanetz 1997f, 124-128.

Kostelanetz, Richard 1996f. John Cage (Ex)plain(ed). New York: Schirmer Books.

Kostelanetz, Richard 1996g. “The Keystones of the Cagean Canon.” In Kostelanetz 1996f, 49-50.

Kostelanetz, Richard 1996h. Review of Cage/Retallack 1996. Journal of Musicology 14, 424-425; repr. as “Underedited/Underpublished.” In Kostelanetz 1997f, 310-311.

Kostelanetz, Richard 1996i. “Rolywholyover: Antiseptic Havoc in the Name of John Cage.” In Kostelanetz 1996f, 161-166; repr. as “Wreaking Havoc in the Name of John Cage.” In Kostelanetz 1997f, 312-320.

Kostelanetz, Richard 1996j. “Two Ways of Polyartistry.” In Kostelanetz and Darby 1996, 295-308; repr. in Kostelanetz 1997f, 243-256.

Kostelanetz, Richard 1997a. “Cagean Illiteracy.” In Kostelanetz 1997f, 302-309; repr. Whelks Walk Review [Southampton, New York] 1, no. 1 (February 1998), 69-72.

Kostelanetz, Richard 1997b. “Etudes Australes.” In Kostelanetz 1997f, 61-64.

Kostelanetz, Richard 1997c. “His Influence.” In Kostelanetz 1997f, 321-356.

Kostelanetz, Richard 1997d. “Prefaces.” In Kostelanetz 1997f, 275-281.

Kostelanetz, Richard 1997e. “Proposal for an Exhibition of the Cagean Library.” In Kostelanetz 1997f, 172-174.

Kostelanetz, Richard 1997f. Thirty Years of Critical Engagements with John Cage. New York: Archae (review: Alburger 1998b).

Kostelanetz, Richard 2000a. “Cagean Bigger Is Cagean Better.” 21st-Century Music 7, no. 6 (June), 39.

Kostelanetz, Richard 2000b. “John Cage: The Text Pieces 1.” 21st-Century Music 7, no. 1 (January), 23.

Kostelanetz, Richard and Joseph Darby 1996, eds. Classic Essays on Twentieth-Century Music. New York: G. Schirmer (review: Alburger 1998c; George, P. 1996d).

Köster, Maren 1996. “Cage-Aspekte.” Positionen no. 29 (November), 52-53.

Kösterke, Doris 1996. Kunst als Zeitkritik und Lebensmodell: Aspekte des musikalischen Denkens bei John Cage (1912-1992). Regensburg: Susanne Roderer (Theorie und Forschung; 406) (Musikwissenschaften; 4) (Köster 1996).

Kosugi, Takehisa 1987-1988. “75 for John Cage.” In Charles 1987-1988, 278-279.

Kosuth, Joseph/Prandi, Lucia 1998. “Conversazione con Joseph Kosuth.” Trans. Marai Pia Alignani and Lucia Prandi. In Bonomo and Furghieri 1998, 532-537.

Kotik, Petr 1982. “Einige Anmerkungen zu John Cage.” Trans. Wilfried Brennecke. In Brennecke 1982c, 24-25.

Kotik, Petr 1993. “On John Cage.” In Kostelanetz 1993f, 13-14.

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Kotschenreuther, Hellmut 1982. “Zufall, ein Fall, Ausfall.” Der Tagesspiegel [Berlin] (18 September).

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Kottman, Pieter 1994a. “Dobbelen om niets.” NRC Handelsblad (27 May), Cultureel Supplement, 1.

Kottman, Pieter 1994b. “Fabelachtige dans op de maat van een digitale klok.” NRC Handelsblad (19 May), 10.

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Kotz, Liz 2007. ‪Words to Be Looked At: Language in 1960s Art. Cambridge, Massachusetts: MIT Press.

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Kozinn, Alan 1984. “Kroumata Percussion Ensemble and Others.” High Fidelity/Musical America 34, no. 2 (February), High Fidelity, 50.

Kozinn, Allan 1988a. “Celebrating Cage in All His Variety.” New York Times (22 August).

Kozinn, Allan 1988b. “An Evening of Drums.” New York Times (6 October).

Kozinn, Allan 1988c. “John Cage Is Focus of Outdoor Concerts.” New York Times (1 July).

Kozinn, Allan 1988d. “Voices Whispering and Jabbering.” New York Times (1 July), C3.

Kozinn, Allan 1992a. “Connecting Diverse Styles.” New York Times (13 November).

Kozinn, Allan 1992b. “John Cage, 79, A Minimalist of Musical Prolificacy, Dies.” New York Times (13 August), A1, D21.

Kozinn, Allan 1992c. “John Cage, Universal Avant-Gardist, Dies at 79.” International Herald Tribune (14 August), 5.

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Kraglund, John 1970. “A Sono-Semantic Commentary.” Globe and Mail (13 March); repr. American Musical Digest 1, no. 6 (1970), 15-16.

Kraglund, John 1982a. “Cage’s Musical Mission Impossible Sometimes.” Globe and Mail (1 February), 16.

Kraglund, John 1982b. “Cage’s Roaratorio a Roaring Success.” Globe and Mail (2 February), 19.

Kraglund, John 1982d. “Roaratorio Sinks to Babble.” Globe and Mail (1 February), 15.

Kraglund, John 1984. “Cage and Company Run Musical Gamut.” Globe and Mail (1 December), M15.

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Kramer, Hilton 1992. “Cage’s Obituarists: Limming the Gadget-Fair Giant.” New York Observer (14 September).

Kramer, Hilton 1994. “Cage Exhibition Shows A Knack for Fund Raising.” New York Observer (20 June), 1, 21.

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Krellmann, Hanspeter 1972d. “Film, Hörspiel und Jazz.” Kieler Nachrichten (28 October); simultaneously as “Streit der Musiker war einkomponiert.” Bremer Nachrichten (28 October); repr. as “Überfülle und Leerläufigkeit.” Main-Echo [Aschaffenburg] (4 November).

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Music Educators Journal 1970. “Cage Wins Arts Award.” Music Educators Journal 57, no. 1 (September), 21.

Music Educators Journal 1972. Review of Kostelanetz 1970d. Music Educators Journal 58 (January), 79-81+.

Music Educators Journal 1975. Review of Nyman 1974. Music Educators Journal 61 (May), 79-80+.

Music Educators Journal 1976. “Premieres.” Music Educators Journal 63 (September), 23.

Music in Education 1973. Review of Cage 1961h. Music in Education [London] 37, no. 363, 261.

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Music Now 1972. Music Now Presents John Cage & David Tudor in First British Performances of Their Own Works [program 22 May]. London: Music Now.

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Musical America 1959. “Contemporary Music by Cage and VarŹse.” Musical America 79 (May), 30.

Musical America 1960. “New London/Annual Dance Festival.” Musical America (October), 27.

Musical America 1983. Review of Rockwell 1983a. Musical America 33, no. 7 (July), 16-17.

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Musical America 1988b. Review of Kostelanetz 1988b. Musical America 108, no. 4, 30-31.

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Musik und Bildung 1975. Review of Zimmerschied 1974b. Musik und Bildung 7 (January), 39.

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Musikhandel 1978. Review of Metzger and Riehn 1978b. Musikhandel 29, 262.

Musikhandel 1987. “Uraufführungen.” Musikhandel 38, 258.

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N.K. 1950. “American Dance Festival.” Dance Observer 17, no. 7 (August-September), 102-104.

N.K. 1951a. “Jean Erdman and Company.” Dance Observer (March), 42.

N.K. 1951b. “Merce Cunningham and Company.” Dance Observer (March), 41-42.

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Neue Musikzeitung 1975. Review of Zimmerschied 1974b. Neue Musikzeitung 24, no. 2 (1975), 18.

Neue Musikzeitung 1980. Review of Fürst-Heidtmann 1979. Neue Musikzeitung 29, no. 2 (April-May), 43.

Neue Musikzeitung 1982. “Wittener Tage für neue Kammermusik.” Neue Musikzeitung 31, no. 3 (June-July).

Neue Musikzeitung 1986. “Musik im Land begrenzter Möglichkeiten: New Music America ’86 – Beobachtungen bei einem Musik-Marathon.” Neue Musikzeitung 35 (June-July), 60.

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New York Herald Tribune 1943. “‘League’ Giving Novel Program Sunday, Feb. 7.” New York Herald Tribune (31 January).

New York Herald Tribune 1948. “4th Composers’ Forum Saturday at Columbia.” New York Herald Tribune (18 January).

New York Herald Tribune 1952a. “The Musical Scene.” New York Herald Tribune (4 May).

New York Herald Tribune 1952b. [Review]. New York Herald Tribune (13 October).

New York Herald Tribune 1963. “In the Lively Arts.” New York Herald Tribune (11 September), 1.

New York Post 1954. “Stiff Necks Strain to Dig Long-Hair Beat.” New York Post (16 December), 27.

New York Post 1958. “Music of John Cage Heard at Town Hall.” New York Post (16 May), 37.

New York Post 1970. “NYU Series Lists 60 Public Events.” New York Post (1 September).

New York State School Music News 1977 or later. [Review of Cheap Imitation (Violin) (score)]. New York State School Music News (1977 or later).

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New York Times 1947. “Records: Excerpts from ‘Wozzeck’.” New York Times (27 May).

New York Times 1949a. “Guggenheim Awards to 144 in U.S., Canada.” New York Times (11 April).

New York Times 1949b. “New York Winners of 1949 Arts and Letters Grants.” New York Times (14 May).

New York Times 1951. “Art Film Festival in Woodstock Ends.” New York Times (4 September).

New York Times 1954a. “Guggenheim Fund Grants $1,000,000.” New York Times (3 May).

New York Times 1954b. “Liner’s Passengers in Sit-Down after Collision at Sea.” New York Times (4 October), 1, 49.

New York Times 1956. “John Cage and Composer Associates Present Unusual Stereophonic Concert.” New York Times (31 May), 21.

New York Times 1957. “Reprise.” New York Times (5 May).

New York Times 1963. “Music Notes.” New York Times (9 September).

New York Times 1965. “French-American Festival.” New York Times (24 July), 12.

New York Times 1968. “Fourteen Members are Chosen by National Arts Institute.” New York Times (5 March), 44.

New York Times 1969. “Festival Blending Music, Dance, Drama and Film Opens in Tokyo.” New York Times (5 February).

New York Times 1971. “Music Is Modern at Warsaw Fete.” New York Times (29 September).

New York Times 1973. “A Retrospective of Cage’s Music.” New York Times (17 January), 27.

New York Times 1975. “Going Out Guide.” New York Times (5 May).

New York Times 1979. [Untitled]. New York Times (30 December).

New York Times 1986. “Weekend.” New York Times (6 June).

New York World-Telegram 1942. “They Break Beer Bottles Now to Make Music in Chicago.” New York World-Telegram (2 March), 15.

New York World-Telegram 1943. “Moderns Get Hearing.” New York World-Telegram (6 March).

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New Yorker 1973. “Long Birthday.” New Yorker (24 February), 32-33.

New Yorker 1978. “The Mercists.” New Yorker (3 April), 115-116.

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New Yorker 1984. “The Grand Harp Event.” New Yorker (8 October), 36-37.

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Newlin, Dika 1979. Review of Cage 1979c. Library Journal 104 (1 October), 2103.

Newlin, Dika 1982. Review of Cage 1982m. Library Journal 107, 1100.

News-Gazette 1969a. “HPSCHD Stage Is Set [photograph].” News-Gazette (16 May), Section 1, p. 6.

News-Gazette 1969b. “Record Version of HPSCHD Available at Performance.” News-Gazette (14 May).

Newsweek 1963. “Is It Music?” Newsweek (2 September), 53.

Newsweek 1964. “Sound of Cybernetics.” Newsweek (17 February), 88.

Newsweek 1966. “Jammed Doors.” Newsweek (31 October), 101-102.

Newsweek 1967. “Sound, Silence, Time.” Includes review of Cage 1967o. Newsweek (25 December), 50-51.

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Nicholls, David 1990a. American Experimental Music, 1890-1940. Cambridge [etc.]: Cambridge University Press (reviews: Gann 1990b; Griffiths, P. 1990; Metzer 1992; Oja 1991b; Stiller 1991).

Nicholls, David 1990b. Review of Kostelanetz 1988b. Music & Letters 71, no. 3 (August), 446-447.

Nicholls, David 1993a. “Getting Rid of the Glue: The Music of the New York School.” Journal of American Studies 27, no. 3 (December), 335-353.

Nicholls, David 1993b. Review of Fleming, R. and Duckworth 1989. Music & Letters 74, no. 1 (February), 130-131.

Nicholls, David 1993c. Review of Revill 1992. Music & Letters 74, no. 4 (November), 625-626.

Nicholls, David 1994. Review of Pritchett 1993. BBC Music Magazine 2, no. 11 (July), 56-57.

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Nicholls, David 2002a. “The American Quartet.” In The Twentieth Century String Quartet. Ed. Douglas Jarman. Todmorden: Arc Publications, 109-121.

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Nicholls, David 2002c, ed. The Cambridge Companion to John Cage. Cambridge [etc.]: Cambridge University Press (Cambridge Companions to Music) (Haskins 2004b; Music Teacher 2003; Stefanou 2003a; Stefanou 2003b; Whittall 2003b).

Nicholls, David 2002d. “EC=JC2: John Cage as Exemplary Creator.” Frankfurter Zeitschrift für Musikwissenschaft 5, 76-85.

Nicholls, David 2002e. “Getting Rid of the Glue: The Music of the New York School.” In Johnson, S. 2002, 17-56.

Nicholls, David 2002f. “Towards Infinity: Cage in the 1950s and 1960s.” In Nicholls 2002c, 100-108.

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Nicholls, David 2005. “‘Nicht jedermann kann ein Waisenkind sein’: John Cage und die Ultramodernen.” Trans. Monika Lichtenfeld. MusikTexte no. 106 (August), 26-30.

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Nicholls, David 2011. Review of Chase, S. and Thomas 2010. Music & Letters 92, no. 4 (November), 690-691.

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Nicol, Gabriele 1992. “Musik als Zwangsmaßnahme für den unschuldigen Zuhörer.” Frankfurter Neue Presse (1 February).

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Nimczik, Ortwin 1989b. “Erik Satie und John Cage: Ein Sokrates-Portrait und seine ‘billige’ Nachahmung: Anregungen für musikpraktische Gestaltungsversuche durch Schüler (Teil 2).” Musik und Bildung 21 (October), 539-544.

Nimczik, Ortwin 1989c. “Musikpraktische Gestaltungsversuche durch Schüler auf Grundlage der Beschäftigung mit Erik Saties ‘Portrait de Socrate’ und der ‘Cheap Imitation’ (Satz I) von John Cage (gymnasiale Oberstufe).” In Spiel-Räume fürs Leben: Musikerziehung in einer gefährdeten Welt. Ed. by Karl-Heinrich Ehrenforth. Mainz: Schott, 118-128.

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Nimczik, Ortwin 1999. “Das Ensemble der Radios: Radiomusiken von John Cage, Vinko Globokar und Pierre Henry.” Musik und Bildung 31, no. 1 (January-February), 36-41.

Nimczik, Ortwin 2003. “Musikalische Entdeckungsreise zu Alltagsgegenständen: Gestaltungsanregungen durch John Cages Living Room Music.” Musik und Bildung 35, no. 1 (January-March), 64-67.

Nimczik, Ortwin 2004. “Kalkulierter Zufall – individuelle Konstruktion: Vergleich zweier Melodiekompositionen von John Cage und Karlheinz Stockhausen.” Musik und Bildung 36, no. 4 (October-December), 32-37.

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